Solo Tone
Culling Voices
TOOL
Guitarrock2010s+
Original Gear
Guitar1979 Gibson Les Paul Custom
Amp1976 Marshall Model 1992 JMP Super Bass 100-watt head
PickupsSeymour Duncan SH-4 JB (bridge humbucker)
Amp Settings
gain0
bass5.5
mid7
treble6.5
reverb2
presence5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2018-2019 for 'Fear Inoculum' album. Adam Jones is known to layer amps (Marshall JMP, Diezel VH4, Rivera KR7), but for clean tones, the Marshall JMP is most likely primary. No evidence of alternate guitars or amps for the clean solo in 'Culling Voices'.
Tone Character(10)
clear and bell-likeopen and dynamicslightly dark but articulateminimal breakuprich low-midsairy top endnatural sustainsubtle room ambienceuncompressedno audible drive or fuzz
Difficulty
The solo is technically straightforward but demands clean execution, dynamic control, and subtlety to match the studio tone.
Sources
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Original Gear
Guitar1979 Gibson Les Paul Custom
Amp1976 Marshall Model 1992 JMP Super Bass 100-watt head
PickupsSeymour Duncan SH-4 JB (bridge humbucker)
Amp Settings
gain0
bass5.5
mid7
treble6.5
reverb2
presence5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2018-2019 for 'Fear Inoculum' album. Adam Jones is known to layer amps (Marshall JMP, Diezel VH4, Rivera KR7), but for clean tones, the Marshall JMP is most likely primary. No evidence of alternate guitars or amps for the clean solo in 'Culling Voices'.
Tone Character(10)
clear and bell-likeopen and dynamicslightly dark but articulateminimal breakuprich low-midsairy top endnatural sustainsubtle room ambienceuncompressedno audible drive or fuzz
Difficulty
The solo is technically straightforward but demands clean execution, dynamic control, and subtlety to match the studio tone.
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