Riff Tone
Damn Right I Got the Blues (Live)
Buddy Guy
Guitarblues1990s
Original Gear
Guitar1988 Fender Custom Shop Eric Clapton Stratocaster
AmpFender Bassman (tweed, vintage or reissue)
PickupsFender Lace Sensor Gold Single-coil pickups
Amp Settings
gain5
bass5
mid7
treble7.5
reverb3
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Live performance, early 1990s (circa 1991-1992). Guitar World and Premier Guitar confirm Clapton Strat with Lace Sensor Golds and Fender Bassman for both studio and live. No evidence of additional pedals for the riff section; Buddy Guy is known for a stripped-down rig for this song live.
Tone Character(10)
aggressive and cuttingbright and articulatepercussive attacktouch-sensitiveedge-of-breakup crunchdynamic volume swellsenhanced treble cutclassic Chicago blues bitewarm but with pronounced highsresponsive to picking dynamics
Difficulty
The riff requires intermediate skill due to its dynamic volume control, shuffle feel, and touch-sensitive phrasing typical of Chicago blues, but does not involve advanced techniques or high speed.
Sources
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Original Gear
Guitar1988 Fender Custom Shop Eric Clapton Stratocaster
AmpFender Bassman (tweed, vintage or reissue)
PickupsFender Lace Sensor Gold Single-coil pickups
Amp Settings
gain5
bass5
mid7
treble7.5
reverb3
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Live performance, early 1990s (circa 1991-1992). Guitar World and Premier Guitar confirm Clapton Strat with Lace Sensor Golds and Fender Bassman for both studio and live. No evidence of additional pedals for the riff section; Buddy Guy is known for a stripped-down rig for this song live.
Tone Character(10)
aggressive and cuttingbright and articulatepercussive attacktouch-sensitiveedge-of-breakup crunchdynamic volume swellsenhanced treble cutclassic Chicago blues bitewarm but with pronounced highsresponsive to picking dynamics
Difficulty
The riff requires intermediate skill due to its dynamic volume control, shuffle feel, and touch-sensitive phrasing typical of Chicago blues, but does not involve advanced techniques or high speed.
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