Riff Tone
Date Rape (Live at the Palace 1995)
Sublime
Guitarpunk1990s
Original Gear
GuitarDan MacDonald Custom Electric Guitar
AmpMesa/Boogie Triple Rectifier
PickupsCustom-wound single coils (likely, based on Dan MacDonald build and era, but not explicitly confirmed for this show)
Amp Settings
gain5.5
bass6
mid5.5
treble7
reverb2.5
presence5.5
Effects & Signal Chain
overdriveBoss Boss OS-2 OverDrive/Distortion
delayBoss Boss DD-3 Digital Delay
Notes
Live performance at The Palace, 1995. Guitar is the Dan MacDonald custom (aka 'the brown guitar') as used by Bradley Nowell in this era. Amp is the Mesa/Boogie Triple Rectifier, which was part of his live rig in 1995. Settings are estimated based on forum and genre, as no direct photo or interview evidence for this exact show exists.
Tone Character(10)
tight, percussive reggae upstrokescrunchy, mid-scooped rhythm tonebright, cutting highsarticulate single-note riffsslightly compressed attackdynamic response to pickingpunchy, aggressive chord stabsclear note separationminimal sustainraw, live punk/reggae feel
Difficulty
The riff requires fast, precise upstroke reggae strumming and tight muting, but uses straightforward chord shapes and rhythm patterns, making it accessible to intermediate players.
Sources
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Create Free AccountGuitarpunk1990s
Original Gear
GuitarDan MacDonald Custom Electric Guitar
AmpMesa/Boogie Triple Rectifier
PickupsCustom-wound single coils (likely, based on Dan MacDonald build and era, but not explicitly confirmed for this show)
Amp Settings
gain5.5
bass6
mid5.5
treble7
reverb2.5
presence5.5
Effects & Signal Chain
overdriveBoss Boss OS-2 OverDrive/Distortion
delayBoss Boss DD-3 Digital Delay
Notes
Live performance at The Palace, 1995. Guitar is the Dan MacDonald custom (aka 'the brown guitar') as used by Bradley Nowell in this era. Amp is the Mesa/Boogie Triple Rectifier, which was part of his live rig in 1995. Settings are estimated based on forum and genre, as no direct photo or interview evidence for this exact show exists.
Tone Character(10)
tight, percussive reggae upstrokescrunchy, mid-scooped rhythm tonebright, cutting highsarticulate single-note riffsslightly compressed attackdynamic response to pickingpunchy, aggressive chord stabsclear note separationminimal sustainraw, live punk/reggae feel
Difficulty
The riff requires fast, precise upstroke reggae strumming and tight muting, but uses straightforward chord shapes and rhythm patterns, making it accessible to intermediate players.
More Sublime tones
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- Santeria · solo
- Santeria · solo
- Date Rape (Rarities Version) · riff
- 40 Oz. to Freedom · riff
- Badfish · solo
- Badfish · riff
- Badfish · solo
- Can’t Miss You · riff
- Caress Me Down · clean