Riff Tone
Dear Agony
Breaking Benjamin
Guitarmetal2000s
Original Gear
GuitarESP LTD EC-1000 VB Duncan
AmpRandall RM50 (likely with high-gain module, e.g., Ultra or Recto)
PickupsSeymour Duncan JB (bridge), '59 (neck) humbuckers
Amp Settings
gain8
bass6
mid5
treble6.5
reverb1.5
presence6
Effects & Signal Chain
noise_gateUnknown Noise gate (model unknown)
Notes
Studio recording, 2009. Gear confirmed for Dear Agony era by Equipboard. Randall RM50 was the primary amp for rhythm tracks. Guitar model and pickups based on Equipboard and era-specific interviews. No evidence of alternate guitars or amps for the main riff section.
Tone Character(10)
tight and percussiveaggressive palm mutingthick, saturated distortioncontrolled low endscooped midsarticulate attackmodern metal claritydense and layeredminimal ambiencefocused rhythm punch
Difficulty
The riff requires tight palm muting, precise rhythm, and control of string noise under high gain, but does not involve advanced lead techniques or complex chord voicings.
This tone has been researched 3 times by the community
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Create Free AccountGuitarmetal2000s
Original Gear
GuitarESP LTD EC-1000 VB Duncan
AmpRandall RM50 (likely with high-gain module, e.g., Ultra or Recto)
PickupsSeymour Duncan JB (bridge), '59 (neck) humbuckers
Amp Settings
gain8
bass6
mid5
treble6.5
reverb1.5
presence6
Effects & Signal Chain
noise_gateUnknown Noise gate (model unknown)
This tone has been researched 3 times by the community
Notes
Studio recording, 2009. Gear confirmed for Dear Agony era by Equipboard. Randall RM50 was the primary amp for rhythm tracks. Guitar model and pickups based on Equipboard and era-specific interviews. No evidence of alternate guitars or amps for the main riff section.
Tone Character(10)
tight and percussiveaggressive palm mutingthick, saturated distortioncontrolled low endscooped midsarticulate attackmodern metal claritydense and layeredminimal ambiencefocused rhythm punch
Difficulty
The riff requires tight palm muting, precise rhythm, and control of string noise under high gain, but does not involve advanced lead techniques or complex chord voicings.
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