Solo Tone
Death Alley Driver
Rainbow
Guitarrock1980s
Original Gear
GuitarFender Stratocaster (likely late 1970s or early 1980s, maple neck, scalloped fretboard, black finish, as used by Ritchie Blackmore in this era)
AmpMarshall Major 200W head (model 1967), into Marshall 4x12 cabinet (Celestion speakers)
PickupsSeymour Duncan Quarter Pound single-coil (bridge position, as per Blackmore's modded Strat in this period)
Amp Settings
gain7.5
bass6
mid7
treble7
reverb2
presence6.5
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 1982. Gear based on Blackmore's known studio setup for 'Straight Between the Eyes' album. No direct source for pedals or amp settings for this specific solo; pedal/effect inferences based on audio and era.
Tone Character(10)
aggressive and saturatedsinging sustainbright and cuttingtight midrange focussharp pick attackfluid legatoslight room ambienceclassic British high-gain cruncharticulate note separationfast note decay
Difficulty
The solo features fast, articulate runs, expressive bends, and fluid legato passages at a brisk tempo, requiring advanced picking and left-hand control.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarFender Stratocaster (likely late 1970s or early 1980s, maple neck, scalloped fretboard, black finish, as used by Ritchie Blackmore in this era)
AmpMarshall Major 200W head (model 1967), into Marshall 4x12 cabinet (Celestion speakers)
PickupsSeymour Duncan Quarter Pound single-coil (bridge position, as per Blackmore's modded Strat in this period)
Amp Settings
gain7.5
bass6
mid7
treble7
reverb2
presence6.5
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 1982. Gear based on Blackmore's known studio setup for 'Straight Between the Eyes' album. No direct source for pedals or amp settings for this specific solo; pedal/effect inferences based on audio and era.
Tone Character(10)
aggressive and saturatedsinging sustainbright and cuttingtight midrange focussharp pick attackfluid legatoslight room ambienceclassic British high-gain cruncharticulate note separationfast note decay
Difficulty
The solo features fast, articulate runs, expressive bends, and fluid legato passages at a brisk tempo, requiring advanced picking and left-hand control.
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