Riff Tone
Dig
Mudvayne
Guitarmetal2000s
Original Gear
GuitarGibson Les Paul Gothic Morte
AmpRandall V2 (studio recording, 2000)
PickupsGibson stock humbuckers (likely 490R/498T or similar, passive, ceramic/alnico V)
Amp Settings
gain8.5
bass6
mid5
treble7
reverb0
presence7
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording for 'Dig' (L.D. 50, 2000); Greg Tribbett used a Gibson Les Paul Gothic Morte for the main riff, plugged into a Randall V2 head. No evidence of pedals or effects used for the riff section. All settings and gear refer to the studio version, not live.
Tone Character(10)
tight and percussiveaggressive palm-muted chugssaturated high-gainarticulate pick attackmodern nu-metal punchfocused low endclear note separationscooped but present midsrazor-sharp attackminimal ambience
Difficulty
The riff requires fast, accurate palm muting and alternate picking at a high tempo, with complex syncopated rhythms and tight muting, making it challenging for most intermediate players.
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Original Gear
GuitarGibson Les Paul Gothic Morte
AmpRandall V2 (studio recording, 2000)
PickupsGibson stock humbuckers (likely 490R/498T or similar, passive, ceramic/alnico V)
Amp Settings
gain8.5
bass6
mid5
treble7
reverb0
presence7
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording for 'Dig' (L.D. 50, 2000); Greg Tribbett used a Gibson Les Paul Gothic Morte for the main riff, plugged into a Randall V2 head. No evidence of pedals or effects used for the riff section. All settings and gear refer to the studio version, not live.
Tone Character(10)
tight and percussiveaggressive palm-muted chugssaturated high-gainarticulate pick attackmodern nu-metal punchfocused low endclear note separationscooped but present midsrazor-sharp attackminimal ambience
Difficulty
The riff requires fast, accurate palm muting and alternate picking at a high tempo, with complex syncopated rhythms and tight muting, making it challenging for most intermediate players.
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