Solo Tone

Doin' Fine

Slash's Snakepit

Guitarrock1990s

Original Gear

Guitar1959 Les Paul Standard replica by Kris Derrig

AmpMarshall JCM Slash Signature (based on JCM 2555 Silver Jubilee)

PickupsSeymour Duncan Alnico II Pro humbuckers

Amp Settings

gain7

bass6

mid7

treble7

reverb2.5

presence6.5

Effects & Signal Chain

wahDunlop Dunlop Cry Baby Wah (likely GCB-95 or early Slash signature)

delayBoss Boss DD-3 Digital Delay

boostMXR MXR MC-401 Boost/Line Driver

Notes

Studio recording, 1994-1995. Slash is documented to use his Kris Derrig Les Paul replica for nearly all studio solos in this era, running into a Marshall Silver Jubilee or his signature JCM model. No evidence of alternate guitars or amps for this solo. No evidence of live rig or alternate gear for this specific recording.

Tone Character(10)

singing sustainmidrange-forwardharmonic richnesssmooth but biting attackclassic British cruncharticulate note separationtouch-sensitivewarm yet aggressivevocal-like phrasingslightly compressed

Difficulty

The solo demands advanced control of phrasing, fast pentatonic runs, expressive wah pedal use, and precise bending/vibrato, making it challenging for most intermediate players.

Sources

Slash's Guitar Gear, Pedalboard & Amps Slash's Snakepit Members, Gear & Sound | Equipboard

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