Solo Tone
Domino Line (Live at Chuo Kaikan Hall, Tokyo, Feb. 1982)
Casiopea
Guitarjazz1980s
Original Gear
GuitarYamaha SG-2000 (custom, pre-SG-IN, likely stock or DiMarzio pickups)
AmpYamaha G-100 2x12 Combo
PickupsHumbucker (likely DiMarzio, stock for Yamaha SG-2000 in early 1980s)
Amp Settings
gain4
bass5.5
mid6.5
treble7
reverb3
presence6
Effects & Signal Chain
overdriveIbanez Ibanez TS808 Tube Screamer
overdriveBoss Boss SD-1 Super Overdrive (possible alternative to TS808)
flangerUnknown Flanger pedal (model unknown)
delayUnknown Delay pedal (model unknown, possibly Korg SDD-3000 or similar)
otherBoss Volume pedal (Boss FV-200 or similar)
Notes
Live performance at Chuo Kaikan Hall, Tokyo, Feb. 1982. Gear confirmed via video and Equipboard for this era. Not the later SG-IN signature model. No evidence of studio overdubs; this is a live recording.
Tone Character(10)
smooth and singingbright and articulate highsliquid sustainslightly compressed attackclear note separationmodulation swirl (flanger/chorus)delay repeats on lead linestight, focused midrangemild overdrive, not high-gainnot harsh or scooped
Difficulty
The solo requires advanced technical skill due to its fast tempo, complex phrasing, and the need to control both dynamics and effects for a polished jazz-fusion lead sound.
Sources
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Original Gear
GuitarYamaha SG-2000 (custom, pre-SG-IN, likely stock or DiMarzio pickups)
AmpYamaha G-100 2x12 Combo
PickupsHumbucker (likely DiMarzio, stock for Yamaha SG-2000 in early 1980s)
Amp Settings
gain4
bass5.5
mid6.5
treble7
reverb3
presence6
Effects & Signal Chain
overdriveIbanez Ibanez TS808 Tube Screamer
overdriveBoss Boss SD-1 Super Overdrive (possible alternative to TS808)
flangerUnknown Flanger pedal (model unknown)
delayUnknown Delay pedal (model unknown, possibly Korg SDD-3000 or similar)
otherBoss Volume pedal (Boss FV-200 or similar)
Notes
Live performance at Chuo Kaikan Hall, Tokyo, Feb. 1982. Gear confirmed via video and Equipboard for this era. Not the later SG-IN signature model. No evidence of studio overdubs; this is a live recording.
Tone Character(10)
smooth and singingbright and articulate highsliquid sustainslightly compressed attackclear note separationmodulation swirl (flanger/chorus)delay repeats on lead linestight, focused midrangemild overdrive, not high-gainnot harsh or scooped
Difficulty
The solo requires advanced technical skill due to its fast tempo, complex phrasing, and the need to control both dynamics and effects for a polished jazz-fusion lead sound.
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