Riff Tone
Driving the Last Spike
Genesis
Guitarrock1990s
Original Gear
GuitarFender Stratocaster (likely late 1980s/early 1990s, used by Mike Rutherford in this era)
AmpMarshall JCM800 (studio recording, typical for Genesis late 80s/early 90s heavy tones)
PickupsStock Fender single-coil pickups
Amp Settings
gain5.5
bass6
mid7
treble6.5
reverb3
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1991 (We Can't Dance album). No explicit source for exact gear on this song, but Strat + Marshall JCM800 is consistent with Mike Rutherford's known studio setup for heavy/distorted Genesis tracks in this era.
Tone Character(10)
British crunchtight and percussivefull-bodiedmid-forwardclear, articulate attackdynamic responsepresent but not harsh top endstudio-quality claritynot overly saturatedpunchy rhythm
Difficulty
The riff requires intermediate-level control of dynamics and tight strumming to maintain the punchy, percussive feel, but does not involve advanced techniques or fast soloing.
Sources
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Original Gear
GuitarFender Stratocaster (likely late 1980s/early 1990s, used by Mike Rutherford in this era)
AmpMarshall JCM800 (studio recording, typical for Genesis late 80s/early 90s heavy tones)
PickupsStock Fender single-coil pickups
Amp Settings
gain5.5
bass6
mid7
treble6.5
reverb3
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1991 (We Can't Dance album). No explicit source for exact gear on this song, but Strat + Marshall JCM800 is consistent with Mike Rutherford's known studio setup for heavy/distorted Genesis tracks in this era.
Tone Character(10)
British crunchtight and percussivefull-bodiedmid-forwardclear, articulate attackdynamic responsepresent but not harsh top endstudio-quality claritynot overly saturatedpunchy rhythm
Difficulty
The riff requires intermediate-level control of dynamics and tight strumming to maintain the punchy, percussive feel, but does not involve advanced techniques or fast soloing.
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