Solo Tone
Electric Funeral
Pantera
Guitarmetal1990s
Original Gear
GuitarDean ML 'Dean From Hell' (likely, as used by Dimebag Darrell on Pantera covers in the 1990s)
AmpRandall RG100H solid-state head
PickupsBill Lawrence L-500XL bridge humbucker
Amp Settings
gain8.5
bass6
mid4.5
treble7
reverb0
presence6.5
Effects & Signal Chain
eqMXR MXR 6-Band Graphic EQ
eqFurman Furman PQ-4 Parametric EQ
Notes
Studio recording, 1990s era. Dimebag's rig for covers during this period was his Dean ML with Bill Lawrence L-500XL into a Randall RG100H, as confirmed for Cowboys From Hell and covers from that era. No evidence of live-specific changes for this studio cover.
Tone Character(10)
tight and percussivescooped midsaggressive palm mutinghigh-gain saturationrazor-sharp pick attacksinging sustainarticulate highschunky low endminimal ambiencefocused, compressed solo sound
Difficulty
The solo requires intermediate to advanced metal lead technique, including fast picking, wide vibrato, and tight rhythmic control, but does not reach the extreme technicality of Dimebag's most complex solos.
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarDean ML 'Dean From Hell' (likely, as used by Dimebag Darrell on Pantera covers in the 1990s)
AmpRandall RG100H solid-state head
PickupsBill Lawrence L-500XL bridge humbucker
Amp Settings
gain8.5
bass6
mid4.5
treble7
reverb0
presence6.5
Effects & Signal Chain
eqMXR MXR 6-Band Graphic EQ
eqFurman Furman PQ-4 Parametric EQ
Notes
Studio recording, 1990s era. Dimebag's rig for covers during this period was his Dean ML with Bill Lawrence L-500XL into a Randall RG100H, as confirmed for Cowboys From Hell and covers from that era. No evidence of live-specific changes for this studio cover.
Tone Character(10)
tight and percussivescooped midsaggressive palm mutinghigh-gain saturationrazor-sharp pick attacksinging sustainarticulate highschunky low endminimal ambiencefocused, compressed solo sound
Difficulty
The solo requires intermediate to advanced metal lead technique, including fast picking, wide vibrato, and tight rhythmic control, but does not reach the extreme technicality of Dimebag's most complex solos.
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