Solo Tone
Encontro (feat. Roberto Diamanso)
Oficina G3
Guitarrock1990s
Original Gear
GuitarCharvel 475
AmpUnknown (not specified in sources, but likely a Marshall or similar high-gain amp typical of 1990s Brazilian rock/prog metal)
PickupsJackson J200 single coils (neck/middle), Jackson J90C humbucker (bridge)
Amp Settings
gain6.5
bass6
mid6.5
treble7
reverb3.5
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
reverbUnknown Reverb pedal (model unknown)
Notes
Studio recording, 1996 album 'Indiferença'. No explicit amp or pedal info for this song/solo in sources. Guitar confirmed for album era. Settings and effects inferred from genre, era, and audible characteristics.
Tone Character(10)
singing sustainsmooth and melodic leadmoderate gain with clarityarticulate single-note linesslight compressionwarm upper midsnot overly saturatedclear note separationtouch-sensitive responserounded attack
Difficulty
The solo requires intermediate lead technique, with expressive bends, smooth legato, and control over phrasing and timing to match the delay repeats. Not extremely fast or technical, but demands musicality and control.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarCharvel 475
AmpUnknown (not specified in sources, but likely a Marshall or similar high-gain amp typical of 1990s Brazilian rock/prog metal)
PickupsJackson J200 single coils (neck/middle), Jackson J90C humbucker (bridge)
Amp Settings
gain6.5
bass6
mid6.5
treble7
reverb3.5
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
reverbUnknown Reverb pedal (model unknown)
Notes
Studio recording, 1996 album 'Indiferença'. No explicit amp or pedal info for this song/solo in sources. Guitar confirmed for album era. Settings and effects inferred from genre, era, and audible characteristics.
Tone Character(10)
singing sustainsmooth and melodic leadmoderate gain with clarityarticulate single-note linesslight compressionwarm upper midsnot overly saturatedclear note separationtouch-sensitive responserounded attack
Difficulty
The solo requires intermediate lead technique, with expressive bends, smooth legato, and control over phrasing and timing to match the delay repeats. Not extremely fast or technical, but demands musicality and control.
More Oficina G3 tones
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