Solo Tone
(Everything I Do) I Do It for You
Bryan Adams
Guitarrock1990s
Original Gear
GuitarFender Stratocaster (Keith Scott's main guitar for Bryan Adams studio work, likely late 80s/early 90s model)
AmpMarshall half stack (likely JCM800, as referenced for Bryan Adams/Keith Scott solos of the era)
PickupsSeymour Duncan Hot Rails (bridge humbucker in Strat, as referenced for Bryan Adams/Keith Scott solos of the era)
Amp Settings
gain5.5
bass6
mid6.5
treble6.5
reverb4
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
compressionUnknown Compressor pedal (model unknown)
Notes
Studio recording, 1991. Gear inferred from era, genre, and forum references to Strat with double coil pickup and Marshall half stack for the solo. No direct studio documentation for this specific solo, but consistent with Keith Scott's known setup for Bryan Adams' major hits of the period.
Tone Character(10)
singing sustainsmooth and melodicslightly compressedwarm lead toneclear note separationtouch-sensitivenot overly saturatedclassic ballad solo soundmildly scooped midslush ambience
Difficulty
The solo requires expressive phrasing, controlled bends, and smooth vibrato, but does not demand advanced speed or complex techniques.
Sources
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Original Gear
GuitarFender Stratocaster (Keith Scott's main guitar for Bryan Adams studio work, likely late 80s/early 90s model)
AmpMarshall half stack (likely JCM800, as referenced for Bryan Adams/Keith Scott solos of the era)
PickupsSeymour Duncan Hot Rails (bridge humbucker in Strat, as referenced for Bryan Adams/Keith Scott solos of the era)
Amp Settings
gain5.5
bass6
mid6.5
treble6.5
reverb4
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
compressionUnknown Compressor pedal (model unknown)
Notes
Studio recording, 1991. Gear inferred from era, genre, and forum references to Strat with double coil pickup and Marshall half stack for the solo. No direct studio documentation for this specific solo, but consistent with Keith Scott's known setup for Bryan Adams' major hits of the period.
Tone Character(10)
singing sustainsmooth and melodicslightly compressedwarm lead toneclear note separationtouch-sensitivenot overly saturatedclassic ballad solo soundmildly scooped midslush ambience
Difficulty
The solo requires expressive phrasing, controlled bends, and smooth vibrato, but does not demand advanced speed or complex techniques.
More Bryan Adams tones
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- Heaven · solo
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- Heaven (Live) · solo
- Summer of 69 (Classic Version) · riff
- (Everything I Do) I Do It for You · riff
- Back To You (Classic Version) · clean
- Heaven · riff