Riff Tone
F.C.P.R.E.M.I.X.
The Fall of Troy
Guitarrock2000s
Original Gear
GuitarGibson Les Paul Studio Baritone
AmpBudda Superdrive 80 Series II Head
PickupsGibson humbuckers (stock, likely 490R/498T or similar)
Amp Settings
gain0
bass5.5
mid6
treble7
reverb1.5
presence6.5
Effects & Signal Chain
delayBoss Boss DD-3 Digital Delay
Notes
Studio recording, Doppelganger album (2005); evidence from Equipboard and pedalboard photos. No direct evidence of alternate guitars or amps for clean sections. All gear listed is confirmed for this album era.
Tone Character(10)
glassy and articulatetight and percussive attackclear note separationslightly compresseddynamic response to pickingbright but not harshshort delay repeatsno audible drive or breakupmath rock clarityresponsive to playing dynamics
Difficulty
The riff requires fast, accurate alternate picking and tight rhythmic precision, especially to maintain clarity with the delay effect. The math rock style demands advanced technique and timing.
Sources
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Original Gear
GuitarGibson Les Paul Studio Baritone
AmpBudda Superdrive 80 Series II Head
PickupsGibson humbuckers (stock, likely 490R/498T or similar)
Amp Settings
gain0
bass5.5
mid6
treble7
reverb1.5
presence6.5
Effects & Signal Chain
delayBoss Boss DD-3 Digital Delay
Notes
Studio recording, Doppelganger album (2005); evidence from Equipboard and pedalboard photos. No direct evidence of alternate guitars or amps for clean sections. All gear listed is confirmed for this album era.
Tone Character(10)
glassy and articulatetight and percussive attackclear note separationslightly compresseddynamic response to pickingbright but not harshshort delay repeatsno audible drive or breakupmath rock clarityresponsive to playing dynamics
Difficulty
The riff requires fast, accurate alternate picking and tight rhythmic precision, especially to maintain clarity with the delay effect. The math rock style demands advanced technique and timing.
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