Riff Tone
Fire In the Sky
Ozzy Osbourne
Guitarmetal1980s
Original Gear
Guitar1981 Gibson Les Paul Custom 'Bullseye'
AmpMarshall JCM 800 combo (run into Marshall 4x12 cab)
PickupsEMG 81 (bridge), EMG 85 (neck) active humbuckers (bridge pickup used exclusively)
Amp Settings
gain7.5
bass6
mid5.5
treble7
reverb1.5
presence6.5
Effects & Signal Chain
overdriveBoss Boss SD-1 Super OverDrive
Notes
Studio recording, 1988, No Rest for the Wicked album. Zakk Wylde used only the bridge pickup (EMG 81) per Ozzy's instructions. Boss SD-1 Super OverDrive pedal used as boost. Lee Jackson Metaltronix amps were tried but not used for final tracks. Settings estimated based on typical JCM 800/SD-1 metal setup for this era and genre.
Tone Character(10)
tight, saturated rhythm toneaggressive palm-muted chugshigh-output active pickupsBritish crunch with modern edgearticulate note separationthick, compressed distortionpercussive attackscooped but present midsfocused low endsinging sustain
Difficulty
The riff requires tight, aggressive palm muting and precise picking to maintain clarity with high-gain distortion, making it moderately challenging for intermediate players.
Sources
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Create Free AccountGuitarmetal1980s
Original Gear
Guitar1981 Gibson Les Paul Custom 'Bullseye'
AmpMarshall JCM 800 combo (run into Marshall 4x12 cab)
PickupsEMG 81 (bridge), EMG 85 (neck) active humbuckers (bridge pickup used exclusively)
Amp Settings
gain7.5
bass6
mid5.5
treble7
reverb1.5
presence6.5
Effects & Signal Chain
overdriveBoss Boss SD-1 Super OverDrive
Notes
Studio recording, 1988, No Rest for the Wicked album. Zakk Wylde used only the bridge pickup (EMG 81) per Ozzy's instructions. Boss SD-1 Super OverDrive pedal used as boost. Lee Jackson Metaltronix amps were tried but not used for final tracks. Settings estimated based on typical JCM 800/SD-1 metal setup for this era and genre.
Tone Character(10)
tight, saturated rhythm toneaggressive palm-muted chugshigh-output active pickupsBritish crunch with modern edgearticulate note separationthick, compressed distortionpercussive attackscooped but present midsfocused low endsinging sustain
Difficulty
The riff requires tight, aggressive palm muting and precise picking to maintain clarity with high-gain distortion, making it moderately challenging for intermediate players.
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