Riff Tone
Fireside
Arctic Monkeys
Guitarrock2010s+
Original Gear
GuitarFender Jazzmaster (likely 1960s reissue, as used by Alex Turner on AM sessions)
AmpSelmer Zodiac Twin 30 (main amp for AM studio sessions)
PickupsFender Jazzmaster single-coil pickups
Amp Settings
gain5
bass6
mid7
treble6.5
reverb4.5
presence6
Effects & Signal Chain
overdriveFulltone Fulltone Full-Drive 2
Notes
Studio recording, 2013 (AM album). Gear confirmed for AM era studio sessions; Tom Rowley did not play on the album. Jamie Cook also used a Magnatone Custom 410 for layering, but Selmer Zodiac Twin 30 is primary for Alex's main riff tone.
Tone Character(10)
bright and articulateslightly gritty edge-of-breakuptight and percussive attackpresent upper midsspringy reverb tailclear note separationnot overly compressedwarm but not muddydynamic response to pickingstudio double-tracked for width
Difficulty
The riff requires intermediate skill due to its syncopated rhythm, need for clean muting, and dynamic picking to control the amp's edge-of-breakup response.
Sources
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Original Gear
GuitarFender Jazzmaster (likely 1960s reissue, as used by Alex Turner on AM sessions)
AmpSelmer Zodiac Twin 30 (main amp for AM studio sessions)
PickupsFender Jazzmaster single-coil pickups
Amp Settings
gain5
bass6
mid7
treble6.5
reverb4.5
presence6
Effects & Signal Chain
overdriveFulltone Fulltone Full-Drive 2
Notes
Studio recording, 2013 (AM album). Gear confirmed for AM era studio sessions; Tom Rowley did not play on the album. Jamie Cook also used a Magnatone Custom 410 for layering, but Selmer Zodiac Twin 30 is primary for Alex's main riff tone.
Tone Character(10)
bright and articulateslightly gritty edge-of-breakuptight and percussive attackpresent upper midsspringy reverb tailclear note separationnot overly compressedwarm but not muddydynamic response to pickingstudio double-tracked for width
Difficulty
The riff requires intermediate skill due to its syncopated rhythm, need for clean muting, and dynamic picking to control the amp's edge-of-breakup response.
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