Solo Tone
Ghost (Live)
Phish
Guitarrock2010s+
Original Gear
GuitarLanguedoc G2
AmpMesa/Boogie Mark III (Simul-Class, hardwood combo, with 1x12 EVM12L speaker)
PickupsCustom-wound humbuckers (Languedoc, likely Seymour Duncan SH-1 or similar, but custom for Languedoc)
Amp Settings
gain5
bass6
mid7
treble6.5
reverb3
presence5.5
Effects & Signal Chain
compressionRoss Ross Compressor
overdriveIbanez Ibanez TS9 Tube Screamer
delayWay Huge Way Huge Supa-Puss Analog Delay
delayMoog Moog MF-104M Analog Delay
Notes
Live performance, post-2009 era (2010s+), typical Trey Anastasio live rig. No direct source for exact pedalboard for this specific 'Ghost (Live)' solo, but pedalboard photos and forum consensus confirm core elements. No evidence of studio context; all sources reference live rig.
Tone Character(10)
singing sustainliquid, vocal-like lead linesclear note separationwarm and harmonically richslightly compressed attackambient delay trailsrich midrange presencearticulate single-note runsopen, harmonically complex overtonesdynamic touch sensitivity
Difficulty
The solo requires advanced phrasing, dynamic control, and fast legato lines, with expressive use of delay and volume swells, making it challenging for most intermediate players.
Sources
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarLanguedoc G2
AmpMesa/Boogie Mark III (Simul-Class, hardwood combo, with 1x12 EVM12L speaker)
PickupsCustom-wound humbuckers (Languedoc, likely Seymour Duncan SH-1 or similar, but custom for Languedoc)
Amp Settings
gain5
bass6
mid7
treble6.5
reverb3
presence5.5
Effects & Signal Chain
compressionRoss Ross Compressor
overdriveIbanez Ibanez TS9 Tube Screamer
delayWay Huge Way Huge Supa-Puss Analog Delay
delayMoog Moog MF-104M Analog Delay
Notes
Live performance, post-2009 era (2010s+), typical Trey Anastasio live rig. No direct source for exact pedalboard for this specific 'Ghost (Live)' solo, but pedalboard photos and forum consensus confirm core elements. No evidence of studio context; all sources reference live rig.
Tone Character(10)
singing sustainliquid, vocal-like lead linesclear note separationwarm and harmonically richslightly compressed attackambient delay trailsrich midrange presencearticulate single-note runsopen, harmonically complex overtonesdynamic touch sensitivity
Difficulty
The solo requires advanced phrasing, dynamic control, and fast legato lines, with expressive use of delay and volume swells, making it challenging for most intermediate players.
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