Riff Tone
Giving In
Adema
Guitarmetal2000s
Original Gear
GuitarSchecter 006 Elite
AmpUnknown high-gain amp (likely Mesa/Boogie Dual Rectifier or Peavey 5150 based on era/genre, but not confirmed for this recording)
PickupsSchecter stock humbuckers (likely Duncan Designed HB-102 or similar, ceramic magnet, high output)
Amp Settings
gain8.5
bass6
mid4.5
treble7
reverb1.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2001. Guitarist Tim Fluckey is confirmed to use Schecter 006/007 Elite models on Adema's early albums. No direct confirmation of amp model or pedals for 'Giving In' studio recording. No evidence of live rig for this song's original riff section.
Tone Character(10)
tight and percussivesaturated high-gain distortionchunky low endscooped midsaggressive palm mutingarticulate pick attackcompressed and focusedminimal ambiencemodern nu-metal rhythmdry, punchy sound
Difficulty
The riff is rhythmically tight and requires precise palm muting and pick attack, but does not involve advanced lead techniques or complex chord voicings.
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Original Gear
GuitarSchecter 006 Elite
AmpUnknown high-gain amp (likely Mesa/Boogie Dual Rectifier or Peavey 5150 based on era/genre, but not confirmed for this recording)
PickupsSchecter stock humbuckers (likely Duncan Designed HB-102 or similar, ceramic magnet, high output)
Amp Settings
gain8.5
bass6
mid4.5
treble7
reverb1.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2001. Guitarist Tim Fluckey is confirmed to use Schecter 006/007 Elite models on Adema's early albums. No direct confirmation of amp model or pedals for 'Giving In' studio recording. No evidence of live rig for this song's original riff section.
Tone Character(10)
tight and percussivesaturated high-gain distortionchunky low endscooped midsaggressive palm mutingarticulate pick attackcompressed and focusedminimal ambiencemodern nu-metal rhythmdry, punchy sound
Difficulty
The riff is rhythmically tight and requires precise palm muting and pick attack, but does not involve advanced lead techniques or complex chord voicings.