Riff Tone
Gone Away
Five Finger Death Punch
Guitarmetal2010s+
Original Gear
GuitarGibson Jason Hook Signature M-4 Sherman Explorer
AmpKemper Profiler Rack (profiled from EVH 5150III EL34)
PickupsEMG 81/85 active humbuckers
Amp Settings
gain8
bass6
mid5
treble7
reverb1.5
presence6
Effects & Signal Chain
noise_gateBoss Boss NS-2 Noise Suppressor
overdriveBoss Boss SD-1 Super OverDrive
Notes
Studio recording, 2017 (album: 'A Decade of Destruction'). Jason Hook played the main riff section. The Kemper Profiler was used to emulate his EVH 5150III EL34 amp rig, which was the core of his studio and live tone in this era. No evidence of alternate guitars or amps for this song's riff section.
Tone Character(10)
tight and percussiveaggressive palm mutingscooped midshigh-gain saturationclear, defined low endcrisp, cutting treblearticulate note separationmodern metal rhythmcontrolled sustainpunchy attack
Difficulty
The riff requires tight, aggressive palm muting and precise alternate picking at a moderate tempo, with syncopated rhythms typical of modern metal. While not extremely technical, it demands solid right-hand technique and timing.
Sources
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Original Gear
GuitarGibson Jason Hook Signature M-4 Sherman Explorer
AmpKemper Profiler Rack (profiled from EVH 5150III EL34)
PickupsEMG 81/85 active humbuckers
Amp Settings
gain8
bass6
mid5
treble7
reverb1.5
presence6
Effects & Signal Chain
noise_gateBoss Boss NS-2 Noise Suppressor
overdriveBoss Boss SD-1 Super OverDrive
Notes
Studio recording, 2017 (album: 'A Decade of Destruction'). Jason Hook played the main riff section. The Kemper Profiler was used to emulate his EVH 5150III EL34 amp rig, which was the core of his studio and live tone in this era. No evidence of alternate guitars or amps for this song's riff section.
Tone Character(10)
tight and percussiveaggressive palm mutingscooped midshigh-gain saturationclear, defined low endcrisp, cutting treblearticulate note separationmodern metal rhythmcontrolled sustainpunchy attack
Difficulty
The riff requires tight, aggressive palm muting and precise alternate picking at a moderate tempo, with syncopated rhythms typical of modern metal. While not extremely technical, it demands solid right-hand technique and timing.
More Five Finger Death Punch tones
- Blue on Black (feat. Kenny Wayne Shepherd, Brantley Gilbert & Brian May) · riff
- Boots and Blood · riff
- Gone Away · riff
- Hell to Pay · riff
- Jekyll and Hyde · riff
- The Bleeding · riff
- Wash It All Away · riff
- Wrong Side of Heaven · riff
- Wrong Side of Heaven · riff