Riff Tone
Gone, Gone, Gone (Live)
Bad Company
Guitarrock1970s
Original Gear
GuitarGibson Les Paul Standard (likely 1958/59, sunburst, as used by Mick Ralphs live in late 1970s)
AmpMarshall Super Lead 100 (Plexi, late 1960s/early 1970s, live rig)
PickupsGibson PAF humbuckers
Amp Settings
gain5.5
bass6
mid7
treble6.5
reverb2.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Live performance, 1979 era. Mick Ralphs is documented using a Gibson Les Paul Standard with PAFs into a Marshall Super Lead 100 for Bad Company live shows in the late 1970s. No evidence of pedal use for the riff section; amp provides all gain. No studio effects or post-processing in the live context.
Tone Character(10)
classic British crunchopen and dynamicpunchy midrangewarm vintage humbucker soundclear note separationslight amp breakuparticulate attacktight low endnatural tube overdriveno pedal coloration
Difficulty
The riff requires solid rhythm skills and dynamic control for clarity, but uses standard chord shapes and moderate tempo, making it accessible to intermediate players.
Sources
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Create Free AccountGuitarrock1970s
Original Gear
GuitarGibson Les Paul Standard (likely 1958/59, sunburst, as used by Mick Ralphs live in late 1970s)
AmpMarshall Super Lead 100 (Plexi, late 1960s/early 1970s, live rig)
PickupsGibson PAF humbuckers
Amp Settings
gain5.5
bass6
mid7
treble6.5
reverb2.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Live performance, 1979 era. Mick Ralphs is documented using a Gibson Les Paul Standard with PAFs into a Marshall Super Lead 100 for Bad Company live shows in the late 1970s. No evidence of pedal use for the riff section; amp provides all gain. No studio effects or post-processing in the live context.
Tone Character(10)
classic British crunchopen and dynamicpunchy midrangewarm vintage humbucker soundclear note separationslight amp breakuparticulate attacktight low endnatural tube overdriveno pedal coloration
Difficulty
The riff requires solid rhythm skills and dynamic control for clarity, but uses standard chord shapes and moderate tempo, making it accessible to intermediate players.
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