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Solo Tone

Good One Comin' on

Blackberry Smoke

Guitarrock2000s

Original Gear

GuitarGibson Les Paul Standard
AmpMarshall JCM800 2203
PickupsPAF-style humbuckers

Amp Settings

gain5
bass6
mid6.5
treble6
reverb2.5
presence6

Effects & Signal Chain

wahFulltone Fulltone Clyde Deluxe Wah
overdriveKlon or Analogman Klon Centaur or Analogman King of Tone
delayWampler Wampler Faux Tape Echo

Notes

Studio recording, original album version (2009). Charlie Starr is confirmed to use a Les Paul Standard with PAF-style pickups and a Marshall JCM800 2203 for core tones. Some sources mention Fender Twin Reverb in the rig, but the JCM800 is the primary amp for solos. Effects are added via pedalboard, not amp. No evidence of alternate guitars or amps for this solo section.

Tone Character(10)
thick mids and smooth sustainsnarling British crunchmid-forward tonedynamic crunchwarm and harmonically richsinging sustainslightly compressed lead soundtouch-sensitive responseclassic Southern rock edgenot overly saturated

Difficulty

The solo requires intermediate technique, including expressive wah use, dynamic picking, and control of bends and vibrato for a singing, sustaining lead. The phrasing and timing with delay add moderate complexity.

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Good One Comin' on settings for your amp

Exact settings ToneAdapt players use on these amps.

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Good One Comin' on by Blackberry Smoke — Solo Tone Settings | ToneAdapt