Riff Tone

Goodness of God

Bethel Music & Jenn Johnson

Guitarother2010s+

Original Gear

GuitarVeritas Portlander

AmpStereo boutique amps (exact models unknown, likely Matchless, Morgan, or similar high-end clean amps typical for Bethel/modern worship studio recordings)

PickupsVeritas single coils (exact model unknown, likely custom wound for Portlander)

Amp Settings

gain3

bass5.5

mid6

treble7

reverb6

presence6

Effects & Signal Chain

delayStrymon Strymon Timeline (or similar high-end digital delay, model not confirmed)

reverbStrymon Strymon BigSky (or similar high-end digital reverb, model not confirmed)

otherUnknown Volume pedal (model unknown)

Notes

Studio recording, 2018-2019 era. Gear inferred from typical Bethel Music session setups and forum discussions referencing Veritas Portlander guitars and stereo boutique amps for this era. No direct studio documentation or photo evidence for this specific song's session.

Tone Character(10)

ambient and cleanlush reverbsubtle stereo delaythin, airy texturesoft attacksynth-like swellsbright but not harshsits behind piano/synthno audible drive or crunchspacious and atmospheric

Difficulty

The riff is technically simple but requires careful control of volume swells and ambient effects for a smooth, synth-like texture.

Sources

The vanishing electric guitar riff in modern worship Stop the tone obsession and become a highly proficient ...

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