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Solo Tone

Halál a májra (1998)

Sing Sing

Guitarrock1990s

Original Gear

GuitarUnknown (likely superstrat-style, possibly Ibanez or Jackson, typical for 1990s Hungarian hard rock/metal)
AmpUnknown (likely Marshall JCM800 or JCM900, common for 1990s Eastern European rock/metal, but not confirmed for this recording)
PickupsHumbucker (model unknown, likely high-output passive)

Amp Settings

gain7.5
bass6
mid6.5
treble7
reverb2
presence6.5

Effects & Signal Chain

delayUnknown Delay pedal (model unknown)

Notes

Studio recording, 1998. No direct evidence for exact guitar or amp model found in sources. Gear is estimated based on genre, era, and regional trends. No evidence of live rig or alternate gear for solo section.

Tone Character(10)
singing sustainsmooth and creamy lead tonemid-heavy EQ focusslight tone roll-off for vocal qualitytight and articulate single-note linesmoderate amp reverbaggressive pick attackfocused distortionwarm but present highscontrolled low end

Difficulty

The solo requires intermediate technique, including accurate bends, vibrato, and melodic phrasing at a moderate tempo. While not extremely fast or technical, it demands control and expression typical of 1990s melodic hard rock solos.

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Halál a májra (1998) by Sing Sing — Solo Tone Settings | ToneAdapt