Riff Tone
Half Full Glass of Wine
Tame Impala
Guitarrock2000s
Original Gear
Guitar1960s Japanese Teisco/Maton-style guitar (exact model unknown, likely Teisco or Maton Sapphire, as seen in early Tame Impala photos and live videos from the era)
AmpVox AC30 (most likely, based on Kevin Parker's studio amp choices for early Tame Impala recordings)
PickupsSingle coil (Teisco/Maton stock single coils)
Amp Settings
gain6.5
bass7
mid7
treble6.5
reverb1
presence5.5
Effects & Signal Chain
fuzzUnknown Fuzz pedal (model unknown)
phaserUnknown Phaser pedal (model unknown, likely vintage MXR Phase 90 or Small Stone style)
Notes
Studio recording, original 2008/2009 era. Kevin Parker recorded all instruments himself in his home studio in Fremantle. No evidence of different gear for the riff section. No evidence of pedalboard use in the studio for this song, but fuzz and phaser are clearly audible in the recording.
Tone Character(10)
fuzzy and saturatedmid-heavy and thickswirling phaser modulationvintage 60s/70s psychedelic vibeslightly compressedbright but not harshloose, raw attackorganic, analog warmthnot overly scoopeddistinctive swirling movement
Difficulty
The riff is moderately challenging due to its syncopated rhythm and the need to control fuzz and phaser effects, but does not require advanced technique or speed.
Sources
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Original Gear
Guitar1960s Japanese Teisco/Maton-style guitar (exact model unknown, likely Teisco or Maton Sapphire, as seen in early Tame Impala photos and live videos from the era)
AmpVox AC30 (most likely, based on Kevin Parker's studio amp choices for early Tame Impala recordings)
PickupsSingle coil (Teisco/Maton stock single coils)
Amp Settings
gain6.5
bass7
mid7
treble6.5
reverb1
presence5.5
Effects & Signal Chain
fuzzUnknown Fuzz pedal (model unknown)
phaserUnknown Phaser pedal (model unknown, likely vintage MXR Phase 90 or Small Stone style)
Notes
Studio recording, original 2008/2009 era. Kevin Parker recorded all instruments himself in his home studio in Fremantle. No evidence of different gear for the riff section. No evidence of pedalboard use in the studio for this song, but fuzz and phaser are clearly audible in the recording.
Tone Character(10)
fuzzy and saturatedmid-heavy and thickswirling phaser modulationvintage 60s/70s psychedelic vibeslightly compressedbright but not harshloose, raw attackorganic, analog warmthnot overly scoopeddistinctive swirling movement
Difficulty
The riff is moderately challenging due to its syncopated rhythm and the need to control fuzz and phaser effects, but does not require advanced technique or speed.
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