Riff Tone
Have You Ever Seen the Rain
Creedence Clearwater Revival
Guitarrock1970s
Original Gear
GuitarGibson ES-175D
AmpKustom K200A-4 (solid-state, 100W, 2x15" JBL D130 speakers)
PickupsGibson PAF humbuckers
Amp Settings
gain0
bass6
mid7
treble6.5
reverb1.5
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1970-1971. John Fogerty used a Gibson ES-175D with PAF humbuckers into a Kustom K200A-4 solid-state amp. No evidence of pedals or outboard effects for the riff section. Amp reverb was available but Fogerty stated he did not use it. Settings estimated based on amp type and era.
Tone Character(10)
clean and chimeywarm and rounded attackfull-bodied midrangearticulate chord voicingsclear note separationslight compression from solid-state ampno audible reverb or delayno modulation effectsclassic early '70s rock rhythm soundbalanced, natural sustain
Difficulty
The riff section is based on open chords and straightforward strumming, with the main challenge being clean chord transitions and rhythmic consistency.
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Create Free AccountGuitarrock1970s
Original Gear
GuitarGibson ES-175D
AmpKustom K200A-4 (solid-state, 100W, 2x15" JBL D130 speakers)
PickupsGibson PAF humbuckers
Amp Settings
gain0
bass6
mid7
treble6.5
reverb1.5
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1970-1971. John Fogerty used a Gibson ES-175D with PAF humbuckers into a Kustom K200A-4 solid-state amp. No evidence of pedals or outboard effects for the riff section. Amp reverb was available but Fogerty stated he did not use it. Settings estimated based on amp type and era.
Tone Character(10)
clean and chimeywarm and rounded attackfull-bodied midrangearticulate chord voicingsclear note separationslight compression from solid-state ampno audible reverb or delayno modulation effectsclassic early '70s rock rhythm soundbalanced, natural sustain
Difficulty
The riff section is based on open chords and straightforward strumming, with the main challenge being clean chord transitions and rhythmic consistency.
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