Riff Tone
Here I Am to Worship (Live)
Hillsong Worship & Reuben Morgan
Guitarother2000s
Original Gear
GuitarFender American Standard Stratocaster (likely, based on era and genre conventions for Hillsong live performances)
AmpVox AC30 (likely, based on common Hillsong Worship live rigs and genre conventions for this era)
PickupsFender single-coil pickups (stock Stratocaster configuration, likely Alnico V)
Amp Settings
gain4.5
bass6
mid6.5
treble6.5
reverb4
presence6
Effects & Signal Chain
overdriveIbanez Ibanez TS808 Tube Screamer (or similar transparent overdrive)
delayUnknown Delay pedal (model unknown, likely Boss DD-5 or Line 6 DL4)
chorusUnknown Modulation pedal (likely chorus or multi-modulation, e.g., Line 6 M9)
Notes
Live performance, 2003 era. No direct source confirms exact guitar/amp for this specific live recording, but Stratocaster into Vox AC30 is the most documented setup for Hillsong Worship guitarists in this period. No evidence of alternate guitars or amps for the distorted riff section.
Tone Character(10)
ambient and openchiming and articulatemoderate breakup with claritydynamic and touch-sensitiveslightly compressedpresent top endfull-bodied midrangemodest sustaindelicate modulation shimmerreverb tail for space
Difficulty
The riff section is not technically demanding in terms of speed or advanced techniques, but requires careful timing with delay, sensitivity to dynamics, and clean chord voicings to achieve the ambient worship sound.
Sources
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Original Gear
GuitarFender American Standard Stratocaster (likely, based on era and genre conventions for Hillsong live performances)
AmpVox AC30 (likely, based on common Hillsong Worship live rigs and genre conventions for this era)
PickupsFender single-coil pickups (stock Stratocaster configuration, likely Alnico V)
Amp Settings
gain4.5
bass6
mid6.5
treble6.5
reverb4
presence6
Effects & Signal Chain
overdriveIbanez Ibanez TS808 Tube Screamer (or similar transparent overdrive)
delayUnknown Delay pedal (model unknown, likely Boss DD-5 or Line 6 DL4)
chorusUnknown Modulation pedal (likely chorus or multi-modulation, e.g., Line 6 M9)
Notes
Live performance, 2003 era. No direct source confirms exact guitar/amp for this specific live recording, but Stratocaster into Vox AC30 is the most documented setup for Hillsong Worship guitarists in this period. No evidence of alternate guitars or amps for the distorted riff section.
Tone Character(10)
ambient and openchiming and articulatemoderate breakup with claritydynamic and touch-sensitiveslightly compressedpresent top endfull-bodied midrangemodest sustaindelicate modulation shimmerreverb tail for space
Difficulty
The riff section is not technically demanding in terms of speed or advanced techniques, but requires careful timing with delay, sensitivity to dynamics, and clean chord voicings to achieve the ambient worship sound.
More Hillsong Worship & Reuben Morgan tones
- Here I Am to Worship (Live) · riff
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- This Is Our God (Live) · riff
- This Is Our God (Live) · riff