Solo Tone
Hey Joe (Live)
Jimi Hendrix
Guitarrock1960s
Original Gear
GuitarFender 1960s Stratocaster (right-handed, strung lefty, maple neck, single-coil pickups)
AmpMarshall Super Lead 100 (model 1959, Plexi, 100-watt, with 4x12 Marshall cabinets, likely Celestion speakers)
PickupsFender single-coil (1960s Stratocaster stock)
Amp Settings
gain5.5
bass6.5
mid7
treble7
reverb3
presence6.5
Effects & Signal Chain
fuzzDallas Arbiter Dallas Arbiter Fuzz Face
wahVox Vox Clyde McCoy Wah-Wah Pedal
Notes
Live performance, late 1960s (1967-1969). Gear confirmed for live shows of this era. No evidence of studio effects or post-processing for live version.
Tone Character(10)
warm and smooth neck pickupsinging sustaintouch-sensitive responsefuzzy overdrivedynamic, vocal-like phrasingexpressive wah sweepsslightly scooped midsrich harmonic overtonesnot high-gain, but saturatedclassic British crunch
Difficulty
The solo requires intermediate to advanced control of expressive techniques (wah, fuzz, bends, vibrato) and dynamic phrasing, but does not involve extreme speed or complex timing.
Sources
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Original Gear
GuitarFender 1960s Stratocaster (right-handed, strung lefty, maple neck, single-coil pickups)
AmpMarshall Super Lead 100 (model 1959, Plexi, 100-watt, with 4x12 Marshall cabinets, likely Celestion speakers)
PickupsFender single-coil (1960s Stratocaster stock)
Amp Settings
gain5.5
bass6.5
mid7
treble7
reverb3
presence6.5
Effects & Signal Chain
fuzzDallas Arbiter Dallas Arbiter Fuzz Face
wahVox Vox Clyde McCoy Wah-Wah Pedal
Notes
Live performance, late 1960s (1967-1969). Gear confirmed for live shows of this era. No evidence of studio effects or post-processing for live version.
Tone Character(10)
warm and smooth neck pickupsinging sustaintouch-sensitive responsefuzzy overdrivedynamic, vocal-like phrasingexpressive wah sweepsslightly scooped midsrich harmonic overtonesnot high-gain, but saturatedclassic British crunch
Difficulty
The solo requires intermediate to advanced control of expressive techniques (wah, fuzz, bends, vibrato) and dynamic phrasing, but does not involve extreme speed or complex timing.
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