Riff Tone
I Hate It Too
Hum
Guitarrock1990s
Original Gear
GuitarFender Jazzmaster (likely 1960s reissue or original, as used by Matt Talbott in studio)
AmpOrange OR120 head into Orange 4x12 cabinet (studio recording, 1995)
PickupsFender Jazzmaster single-coil pickups
Amp Settings
gain7.5
bass6.5
mid5
treble6.5
reverb1
presence6
Effects & Signal Chain
distortionUnknown Distortion pedal (model unknown)
Notes
Studio recording for 'You'd Prefer an Astronaut' (1995). Matt Talbott is known to have used a Fender Jazzmaster into an Orange OR120 with an Orange 4x12 cab for the main riff sections. No evidence of alternate guitars or amps for this song's riff in the studio.
Tone Character(10)
massive, saturated rhythm tonewall of soundfuzzy, compressed attacktight low endslightly scooped midsbright and aggressivesustained power chordscranked tube amp feelarticulate pick attackminimal ambience
Difficulty
The riff requires accurate sliding between chord shapes, maintaining clarity with high gain, and managing open string ringing, making it moderately challenging for intermediate players.
Sources
This tone has been researched 2 times by the community
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Create Free AccountGuitarrock1990s
Original Gear
GuitarFender Jazzmaster (likely 1960s reissue or original, as used by Matt Talbott in studio)
AmpOrange OR120 head into Orange 4x12 cabinet (studio recording, 1995)
PickupsFender Jazzmaster single-coil pickups
Amp Settings
gain7.5
bass6.5
mid5
treble6.5
reverb1
presence6
Effects & Signal Chain
distortionUnknown Distortion pedal (model unknown)
This tone has been researched 2 times by the community
Notes
Studio recording for 'You'd Prefer an Astronaut' (1995). Matt Talbott is known to have used a Fender Jazzmaster into an Orange OR120 with an Orange 4x12 cab for the main riff sections. No evidence of alternate guitars or amps for this song's riff in the studio.
Tone Character(10)
massive, saturated rhythm tonewall of soundfuzzy, compressed attacktight low endslightly scooped midsbright and aggressivesustained power chordscranked tube amp feelarticulate pick attackminimal ambience
Difficulty
The riff requires accurate sliding between chord shapes, maintaining clarity with high gain, and managing open string ringing, making it moderately challenging for intermediate players.
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