Solo Tone
I'll Play the Blues for You (Live)
Joe Bonamassa
Guitarblues2010s+
Original Gear
GuitarGibson Les Paul Standard (likely late 1950s reissue, sunburst finish)
AmpMarshall Silver Jubilee 2555 (100-watt head) x2, running into Van Weelden 4x12 cabinet with Electro-Voice EVM12L speakers
PickupsGibson PAF-style humbuckers
Amp Settings
gain4.5
bass8.5
mid6.5
treble5
reverb2
presence5
Effects & Signal Chain
overdriveKlon Klon Centaur Professional Overdrive
overdriveIbanez Ibanez TS808 Tube Screamer
wahDunlop Dunlop Joe Bonamassa Signature Cry Baby Wah
tremoloFulltone Fulltone Supa-Trem
modulationHughes & Kettner Hughes & Kettner Tube Rotosphere MKII
delayBoss Boss DD-2 Digital Delay
reverbBoss Boss RV-5 Digital Reverb
flangerMXR MXR Micro Flanger
Notes
Live performance, mid-late 2010s; pedalboard and amp setup confirmed by multiple rig rundowns for this era; solo section uses main Les Paul and Marshalls with effects in loop.
Tone Character(10)
singing sustainwarm and roundtouch-sensitiveedge-of-breakup crunchsmooth, vocal-like phrasingrich midrangeclear note separationslightly compressed attackorganic overdriveresponsive to picking dynamics
Difficulty
The solo requires advanced blues phrasing, expressive bends, and precise control of dynamics and effects, making it challenging for most intermediate players.
Sources
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Original Gear
GuitarGibson Les Paul Standard (likely late 1950s reissue, sunburst finish)
AmpMarshall Silver Jubilee 2555 (100-watt head) x2, running into Van Weelden 4x12 cabinet with Electro-Voice EVM12L speakers
PickupsGibson PAF-style humbuckers
Amp Settings
gain4.5
bass8.5
mid6.5
treble5
reverb2
presence5
Effects & Signal Chain
overdriveKlon Klon Centaur Professional Overdrive
overdriveIbanez Ibanez TS808 Tube Screamer
wahDunlop Dunlop Joe Bonamassa Signature Cry Baby Wah
tremoloFulltone Fulltone Supa-Trem
modulationHughes & Kettner Hughes & Kettner Tube Rotosphere MKII
delayBoss Boss DD-2 Digital Delay
reverbBoss Boss RV-5 Digital Reverb
flangerMXR MXR Micro Flanger
Notes
Live performance, mid-late 2010s; pedalboard and amp setup confirmed by multiple rig rundowns for this era; solo section uses main Les Paul and Marshalls with effects in loop.
Tone Character(10)
singing sustainwarm and roundtouch-sensitiveedge-of-breakup crunchsmooth, vocal-like phrasingrich midrangeclear note separationslightly compressed attackorganic overdriveresponsive to picking dynamics
Difficulty
The solo requires advanced blues phrasing, expressive bends, and precise control of dynamics and effects, making it challenging for most intermediate players.
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