Solo Tone
I See You in Everyone
Survivor
Guitarrock1980s
Original Gear
GuitarGibson Les Paul Standard (likely late 1970s or early 1980s, sunburst finish)
AmpMarshall JMP 2203 (100W head, late 1970s/early 1980s)
PickupsGibson humbuckers (likely T-Top or Tim Shaw era)
Amp Settings
gain7
bass6
mid6.5
treble7
reverb3
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1986. No direct evidence for pedals or effects chain for this specific song/solo; gear inferred from era, genre, and Frankie Sullivan's known studio rig. No evidence of live rig or alternate guitars for this solo.
Tone Character(10)
singing sustainsmooth lead tonerich harmonic overtonestight and focused attackclear note separationclassic 1980s arena rock solo soundmedium-to-high output humbucker clarityslightly compressedmoderate amp reverb for spaciousnessno audible modulation effects
Difficulty
The solo requires intermediate to advanced lead guitar skills, including fast alternate picking, expressive bends, and melodic phrasing typical of 1980s arena rock solos.
Sources
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Create Free AccountGuitarrock1980s
Original Gear
GuitarGibson Les Paul Standard (likely late 1970s or early 1980s, sunburst finish)
AmpMarshall JMP 2203 (100W head, late 1970s/early 1980s)
PickupsGibson humbuckers (likely T-Top or Tim Shaw era)
Amp Settings
gain7
bass6
mid6.5
treble7
reverb3
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1986. No direct evidence for pedals or effects chain for this specific song/solo; gear inferred from era, genre, and Frankie Sullivan's known studio rig. No evidence of live rig or alternate guitars for this solo.
Tone Character(10)
singing sustainsmooth lead tonerich harmonic overtonestight and focused attackclear note separationclassic 1980s arena rock solo soundmedium-to-high output humbucker clarityslightly compressedmoderate amp reverb for spaciousnessno audible modulation effects
Difficulty
The solo requires intermediate to advanced lead guitar skills, including fast alternate picking, expressive bends, and melodic phrasing typical of 1980s arena rock solos.
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