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Riff Tone

i. the many names of god

ERRA

Guitarmetal2010s+

Original Gear

GuitarIbanez Prestige RG2027XL 7-string
AmpNeural DSP Quad Cortex (STL Tones DZL Herbert model for rhythms)
PickupsDiMarzio D Activator 7 Humbuckers

Amp Settings

gain9
bass6
mid4.5
treble7
reverb1
presence6.5

Effects & Signal Chain

noise_gateUnknown Noise Gate (model unknown)
boostUnknown Overdrive/Boost pedal (model unknown, likely used for tightening)

Notes

Studio recording, 2024. All sources indicate use of amp modeling (Quad Cortex) with STL Tones DZL Herbert for rhythm/distorted sections. Guitar is confirmed from rig rundowns and playthroughs for this album/song.

Tone Character(10)
tight and percussiveaggressive palm-muted chugsmodern high-gain saturationarticulate low-end clarityfast attack and quick note decayminimal ambience for tightnessclear note separation under gainextended range 7-string claritylow noise, highly compressedfocused midrange punch

Difficulty

The riff section requires advanced right-hand control for tight, fast palm-muted chugs, precise alternate picking, and complex rhythm patterns typical of modern djent/progressive metal. The use of a 7-string and rapid shifts add to the technical challenge.

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i. the many names of god by ERRA — Riff Tone Settings | ToneAdapt