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Riff Tone

I Want to Be Wrong

No Use for a Name

Guitarpunk2000s

Original Gear

GuitarGibson Les Paul Standard (likely 1990s model, as used by Tony Sly in studio)
AmpMarshall JCM900 (most commonly used by Tony Sly for studio rhythm tones in this era)
PickupsHumbucker (stock Gibson, likely 490R/498T or similar)

Amp Settings

gain7.5
bass6
mid6
treble7
reverb1.5
presence6

Effects & Signal Chain

No effects used for this tone

Notes

Studio recording, 2005 (Keep Them Confused album). No direct evidence of pedal use for main riff; typical punk rhythm setup. No Use for a Name were known for Les Paul into Marshall for studio rhythm tracks in the 2000s.

Tone Character(10)
tight and percussiveaggressive pick attacksaturated high-gain crunchfull-bodied midrangeslightly scooped but not thincrisp top-end claritychunky powerchordsminimal ambienceno audible modulationclassic Marshall punk rhythm

Difficulty

The riff requires fast, tight downstrokes and palm muting typical of punk rhythm guitar, but uses standard powerchord shapes and straightforward rhythm, making it accessible to intermediate players.

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I Want to Be Wrong by No Use for a Name — Riff Tone Settings | ToneAdapt