Solo Tone
In My Dreams
Gary Moore
Guitarblues1980s
Original Gear
GuitarGibson Les Paul Standard (likely 1959 reissue or similar, as per Gary Moore's known studio use in late 1980s)
AmpMarshall JCM800 2203 head with 4x12 cabinet (studio recording, late 1980s Moore standard)
PickupsSeymour Duncan Alnico II Pro humbuckers (or original PAF-style humbuckers, as per Moore's typical Les Paul setup)
Amp Settings
gain7.5
bass6.5
mid7.5
treble6.5
reverb3.5
presence6.5
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, circa 1988-1989. No direct source for this exact session, but consistent with Moore's gear for this era and album. No evidence of live rig or alternate guitars for this solo.
Tone Character(10)
singing sustainthick, vocal-like lead tonesmooth, saturated overdrivelong, expressive bendstouch-sensitive dynamicsrich midrange presencefluid legato runswarm, harmonically richclear note separationemotional phrasing
Difficulty
The solo requires advanced control of bends, vibrato, and sustain, as well as expressive phrasing and dynamic touch, making it challenging for most intermediate players.
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Original Gear
GuitarGibson Les Paul Standard (likely 1959 reissue or similar, as per Gary Moore's known studio use in late 1980s)
AmpMarshall JCM800 2203 head with 4x12 cabinet (studio recording, late 1980s Moore standard)
PickupsSeymour Duncan Alnico II Pro humbuckers (or original PAF-style humbuckers, as per Moore's typical Les Paul setup)
Amp Settings
gain7.5
bass6.5
mid7.5
treble6.5
reverb3.5
presence6.5
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, circa 1988-1989. No direct source for this exact session, but consistent with Moore's gear for this era and album. No evidence of live rig or alternate guitars for this solo.
Tone Character(10)
singing sustainthick, vocal-like lead tonesmooth, saturated overdrivelong, expressive bendstouch-sensitive dynamicsrich midrange presencefluid legato runswarm, harmonically richclear note separationemotional phrasing
Difficulty
The solo requires advanced control of bends, vibrato, and sustain, as well as expressive phrasing and dynamic touch, making it challenging for most intermediate players.
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