Solo Tone
In the Name of God
Dream Theater
Guitarmetal2000s
Original Gear
GuitarErnie Ball Music Man JP6 (original John Petrucci signature, custom DiMarzio pickups)
AmpMesa/Boogie Road King (Mk I), Mesa Traditional 4x12 cabinet
PickupsCustom DiMarzio (likely D-Sonic bridge, Air Norton neck, as per era)
Amp Settings
gain8
bass6
mid5.5
treble7
reverb1.5
presence6.5
Effects & Signal Chain
wahDunlop Jim Dunlop JP95 Cry Baby Wah
overdriveAnalog Man Analog Man King of Tone Overdrive
delayUnknown Delay pedal (model unknown)
flangerMXR Flanger pedal (model unknown, likely MXR EVH Flanger or similar)
Notes
Studio recording, 2003 (Train of Thought album). Gear confirmed for this era and album. No evidence of Axe-FX or JP-2C on this recording. Pedals used for front-end gain and modulation; effects loop for time-based effects.
Tone Character(10)
singing sustainliquid and smooth leadtight and articulatehigh-gain saturationcutting through dense mixmodern progressive metalclear note separationaggressive attackslightly scooped midscrisp high end
Difficulty
This solo is extremely technical, requiring expert-level speed, accuracy, and control of both hands, as well as expressive use of effects and phrasing.
Sources
This tone has been researched 3 times by the community
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Original Gear
GuitarErnie Ball Music Man JP6 (original John Petrucci signature, custom DiMarzio pickups)
AmpMesa/Boogie Road King (Mk I), Mesa Traditional 4x12 cabinet
PickupsCustom DiMarzio (likely D-Sonic bridge, Air Norton neck, as per era)
Amp Settings
gain8
bass6
mid5.5
treble7
reverb1.5
presence6.5
Effects & Signal Chain
wahDunlop Jim Dunlop JP95 Cry Baby Wah
overdriveAnalog Man Analog Man King of Tone Overdrive
delayUnknown Delay pedal (model unknown)
flangerMXR Flanger pedal (model unknown, likely MXR EVH Flanger or similar)
This tone has been researched 3 times by the community
Notes
Studio recording, 2003 (Train of Thought album). Gear confirmed for this era and album. No evidence of Axe-FX or JP-2C on this recording. Pedals used for front-end gain and modulation; effects loop for time-based effects.
Tone Character(10)
singing sustainliquid and smooth leadtight and articulatehigh-gain saturationcutting through dense mixmodern progressive metalclear note separationaggressive attackslightly scooped midscrisp high end
Difficulty
This solo is extremely technical, requiring expert-level speed, accuracy, and control of both hands, as well as expressive use of effects and phrasing.
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