Solo Tone
Jesucristo garcía
Extremoduro
Guitarrock1990s
Original Gear
GuitarGibson Les Paul Custom Black Beauty
AmpUnknown model (no direct source for studio amp, likely a Marshall or similar high-gain British amp typical for 1990s Spanish rock)
PickupsHumbucker (Gibson stock, likely 490R/498T or similar)
Amp Settings
gain7
bass6
mid7
treble6.5
reverb3
presence6
Effects & Signal Chain
distortionUnknown Overdrive/Distortion pedal (model unknown)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, original album released in 1992. Guitarist for solo: Iñaki 'Milindris' Setién. No direct evidence of pedals or amp model for the studio recording; gear inferred from era and band context.
Tone Character(10)
singing sustainmid-focusedsmooth overdrivearticulate single-note linesclassic rock solo characterwarm but cuttingmoderate compressiondynamic response to pickingslightly saturated highsnot overly scooped
Difficulty
The solo requires intermediate lead technique, including expressive bends, vibrato, and melodic phrasing, as well as control over timing to match the delay effect.
This tone has been researched 2 times by the community
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Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson Les Paul Custom Black Beauty
AmpUnknown model (no direct source for studio amp, likely a Marshall or similar high-gain British amp typical for 1990s Spanish rock)
PickupsHumbucker (Gibson stock, likely 490R/498T or similar)
Amp Settings
gain7
bass6
mid7
treble6.5
reverb3
presence6
Effects & Signal Chain
distortionUnknown Overdrive/Distortion pedal (model unknown)
delayUnknown Delay pedal (model unknown)
This tone has been researched 2 times by the community
Notes
Studio recording, original album released in 1992. Guitarist for solo: Iñaki 'Milindris' Setién. No direct evidence of pedals or amp model for the studio recording; gear inferred from era and band context.
Tone Character(10)
singing sustainmid-focusedsmooth overdrivearticulate single-note linesclassic rock solo characterwarm but cuttingmoderate compressiondynamic response to pickingslightly saturated highsnot overly scooped
Difficulty
The solo requires intermediate lead technique, including expressive bends, vibrato, and melodic phrasing, as well as control over timing to match the delay effect.
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