Solo Tone
Jujur
Radja
Guitarrock2000s
Original Gear
GuitarUnknown (likely Superstrat-style, possibly Ibanez or Yamaha Pacifica, typical for Indonesian pop-rock of early 2000s)
AmpUnknown (likely Marshall or similar high-gain amp, typical for Indonesian pop-rock/rock ballads of early 2000s)
PickupsUnknown (likely HSS or HSH with humbucker in bridge, based on genre and era)
Amp Settings
gain6.5
bass6
mid6
treble7
reverb4
presence6
Effects & Signal Chain
No effects used for this tone
Notes
No direct source confirms exact guitar or amp model for the studio recording of 'Jujur' by Radja. No evidence of live vs. studio gear differences. Recording year: 2004 (album 'Langkah Baru').
Tone Character(10)
singing sustainsmooth and melodic lead tonemoderate gain with clarityslightly compressed attacktouch of reverb for spacearticulate single-note phrasingno harsh fizz or extreme scoopingwarm but present upper midsbalanced low endno audible modulation effects
Difficulty
The solo requires intermediate-level phrasing, expressive bends, and sustain control, but does not involve advanced shredding or complex timing.
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Original Gear
GuitarUnknown (likely Superstrat-style, possibly Ibanez or Yamaha Pacifica, typical for Indonesian pop-rock of early 2000s)
AmpUnknown (likely Marshall or similar high-gain amp, typical for Indonesian pop-rock/rock ballads of early 2000s)
PickupsUnknown (likely HSS or HSH with humbucker in bridge, based on genre and era)
Amp Settings
gain6.5
bass6
mid6
treble7
reverb4
presence6
Effects & Signal Chain
No effects used for this tone
Notes
No direct source confirms exact guitar or amp model for the studio recording of 'Jujur' by Radja. No evidence of live vs. studio gear differences. Recording year: 2004 (album 'Langkah Baru').
Tone Character(10)
singing sustainsmooth and melodic lead tonemoderate gain with clarityslightly compressed attacktouch of reverb for spacearticulate single-note phrasingno harsh fizz or extreme scoopingwarm but present upper midsbalanced low endno audible modulation effects
Difficulty
The solo requires intermediate-level phrasing, expressive bends, and sustain control, but does not involve advanced shredding or complex timing.