Solo Tone
Kembali Merindu
Slam
Guitarother1990s
Original Gear
GuitarYamaha Pacifica 112J (likely, based on era and genre; exact model not confirmed in sources)
AmpRoland JC-120 Jazz Chorus (estimated, as this is a common clean amp for Malaysian pop/rock ballads in the 1990s; no direct source confirmation)
PickupsYamaha single-coil (stock, likely ceramic, as per Pacifica 112J standard spec)
Amp Settings
gain0
bass6
mid6
treble7
reverb5
presence6
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown)
Notes
Studio recording, circa 1996. No direct evidence for exact guitar/amp, but Yamaha Pacifica and Roland JC-120 are highly probable for this genre/era in Malaysia. No evidence of live-specific gear for this clean solo section.
Tone Character(10)
bright and glassysmooth and sustainedshimmering chorus effectclean and articulatebell-like highswarm low endslightly compressedlush reverb tailclear note separationmelodic, expressive phrasing
Difficulty
The solo is technically accessible but demands expressive phrasing, clean technique, and dynamic control to achieve the smooth, melodic sound characteristic of the recording.
Create an account to adapt this tone to your gear
Create Free AccountGuitarother1990s
Original Gear
GuitarYamaha Pacifica 112J (likely, based on era and genre; exact model not confirmed in sources)
AmpRoland JC-120 Jazz Chorus (estimated, as this is a common clean amp for Malaysian pop/rock ballads in the 1990s; no direct source confirmation)
PickupsYamaha single-coil (stock, likely ceramic, as per Pacifica 112J standard spec)
Amp Settings
gain0
bass6
mid6
treble7
reverb5
presence6
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown)
Notes
Studio recording, circa 1996. No direct evidence for exact guitar/amp, but Yamaha Pacifica and Roland JC-120 are highly probable for this genre/era in Malaysia. No evidence of live-specific gear for this clean solo section.
Tone Character(10)
bright and glassysmooth and sustainedshimmering chorus effectclean and articulatebell-like highswarm low endslightly compressedlush reverb tailclear note separationmelodic, expressive phrasing
Difficulty
The solo is technically accessible but demands expressive phrasing, clean technique, and dynamic control to achieve the smooth, melodic sound characteristic of the recording.
Kembali Merindu settings for your amp
Exact settings ToneAdapt players use on these amps.
More Slam tones
- Kembali Merindu · solo
- Nur Kasih · riff
- Nur Kasih · solo
- Nur Kasih · riff
- Nur Kasih · solo
- Tak Mungkin Berpaling · solo
- Tak Mungkin Berpaling · solo