Distorted Tone
Killer Cars
Radiohead
Bassrock1990s
Original Gear
BassMusic Man Sterling
AmpUnknown (likely Ampeg SVT or similar 1990s studio amp, not specified for this song)
PickupsH (single humbucker, active)
Amp Settings
gain6
bass5.5
mid6
treble6
presence6
compression4.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1994-1995, The Bends era; Colin Greenwood's main bass for this period. No direct evidence of amp model or mic/DI blend for this track.
Tone Character(9)
aggressive midrange biteclanky pick attackfuzzy upper midstight low endslightly compressedraspy, saturated drivedistinct note separationpunchy and forward in the mixnotably distorted in chorus/bridge
Difficulty
The line is rhythmically straightforward but requires a strong, consistent pick attack and careful muting to maintain clarity through heavy overdrive/distortion, especially at fast tempo.
Sources
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Create Free AccountBassrock1990s
Original Gear
BassMusic Man Sterling
AmpUnknown (likely Ampeg SVT or similar 1990s studio amp, not specified for this song)
PickupsH (single humbucker, active)
Amp Settings
gain6
bass5.5
mid6
treble6
presence6
compression4.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1994-1995, The Bends era; Colin Greenwood's main bass for this period. No direct evidence of amp model or mic/DI blend for this track.
Tone Character(9)
aggressive midrange biteclanky pick attackfuzzy upper midstight low endslightly compressedraspy, saturated drivedistinct note separationpunchy and forward in the mixnotably distorted in chorus/bridge
Difficulty
The line is rhythmically straightforward but requires a strong, consistent pick attack and careful muting to maintain clarity through heavy overdrive/distortion, especially at fast tempo.
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