Riff Tone
Killing Floor (Live at the S.E.R.P.E.N.T Festival)
Slash
Guitarblues2010s+
Original Gear
GuitarGibson Slash Les Paul Standard
AmpMarshall Silver Jubilee 2555 (original, not reissue)
PickupsSeymour Duncan Slash Signature Alnico II Pro humbuckers
Amp Settings
gain5
bass6.5
mid6
treble5.5
reverb2
presence5.5
Effects & Signal Chain
wahDunlop Dunlop Cry Baby Wah (Slash Signature or GCB95 variant)
delayBoss Boss DD-3 Digital Delay
phaserMXR MXR Phase 90 (EVH or standard)
Notes
Live performance at S.E.R.P.E.N.T. Festival, 2024. Settings and pedalboard based on most recent live rig rundowns and gear interviews for the Orgy of the Damned/SERPENT era. No evidence of alternate guitars or amps for this riff section.
Tone Character(10)
edge-of-breakup crunchwarm and mid-heavyopen and dynamictouch-sensitiveclassic British amp characterclear note separationslight natural compressionfat, rounded lowssinging sustain on single notesarticulate blues phrasing
Difficulty
The riff demands advanced blues-rock technique, fast shuffle timing, and dynamic control, especially when integrating expressive effects like wah and phaser.
Sources
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Original Gear
GuitarGibson Slash Les Paul Standard
AmpMarshall Silver Jubilee 2555 (original, not reissue)
PickupsSeymour Duncan Slash Signature Alnico II Pro humbuckers
Amp Settings
gain5
bass6.5
mid6
treble5.5
reverb2
presence5.5
Effects & Signal Chain
wahDunlop Dunlop Cry Baby Wah (Slash Signature or GCB95 variant)
delayBoss Boss DD-3 Digital Delay
phaserMXR MXR Phase 90 (EVH or standard)
Notes
Live performance at S.E.R.P.E.N.T. Festival, 2024. Settings and pedalboard based on most recent live rig rundowns and gear interviews for the Orgy of the Damned/SERPENT era. No evidence of alternate guitars or amps for this riff section.
Tone Character(10)
edge-of-breakup crunchwarm and mid-heavyopen and dynamictouch-sensitiveclassic British amp characterclear note separationslight natural compressionfat, rounded lowssinging sustain on single notesarticulate blues phrasing
Difficulty
The riff demands advanced blues-rock technique, fast shuffle timing, and dynamic control, especially when integrating expressive effects like wah and phaser.
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