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Solo Tone

Killing in the Name

Rage Against Power Machines

Guitarrock1990s

Original Gear

Guitar1982 Fender Standard Telecaster ('Sendero Luminoso')
AmpMarshall JCM800 2205 50-watt head into Peavey 4x12 cabinet
PickupsStock Fender single-coil bridge pickup

Amp Settings

gain7.5
bass5.5
mid7
treble6.5
reverb0
presence6.5

Effects & Signal Chain

modulationDigiTech DigiTech WH-1 Whammy
wahDunlop Dunlop Cry Baby Wah

Notes

Studio recording, 1992 debut album. All sources agree on Telecaster and JCM800 for the solo. Pickup selector: bridge. No amp reverb. Whammy pedal for pitch-shifting solo. Settings are for the studio recording, not live.

Tone Character(10)
aggressive, saturated crunchsharp, cutting bridge pickup tonetight, percussive attacksinging sustain with harmonicsdry, in-your-face lead soundexpressive filter sweeps (wah)pitch-shifted, whammy-driven solo linesminimal ambience (no reverb)dynamic, rhythmic stutter effectshigh-output, thick distortion

Difficulty

The solo requires advanced coordination between hands and feet for expressive Whammy and wah use, as well as tight rhythmic control and aggressive picking. The technical challenge is high due to the need for precise effect timing and maintaining clarity with heavy distortion.

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Killing in the Name settings for your amp

Exact settings ToneAdapt players use on these amps.

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