Solo Tone
Kritrim Manush
Artcell
Guitarmetal2000s
Original Gear
GuitarIbanez RG Series (exact model unknown, likely RG350 or similar, as used by Ershad Zaman in early-mid 2000s Artcell recordings)
AmpMarshall Valvestate or Marshall JCM900 (exact model unconfirmed, but Marshall solid-state/hybrid amps were common in Dhaka studios and live venues for Artcell in early 2000s)
PickupsIbanez stock HSH (Humbucker-Single-Humbucker), likely Ibanez Infinity or Powersound series
Amp Settings
gain7.5
bass6
mid6
treble7
reverb2.5
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
distortionUnknown Distortion pedal (model unknown, possibly Boss DS-1 or Marshall DriveMaster)
Notes
Studio recording, circa 2002-2005. No official rig rundown or session notes available for 'Kritrim Manush'. Gear inferred from era, genre, and known band equipment from interviews and live photos. Settings estimated based on typical Marshall high-gain metal tones and genre conventions.
Tone Character(10)
singing sustaintight and articulateclear pick attackliquid legato phrasingmoderate palm mutingcutting upper midsslight scoop in rhythm, mids present for leadsaudible delay repeatssmooth, saturated lead tonecontrolled feedback
Difficulty
The solo requires advanced technique, including fast picking, legato phrasing, and expressive bends, as well as precise timing to match delay repeats and maintain clarity at high gain.
Sources
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Create Free AccountGuitarmetal2000s
Original Gear
GuitarIbanez RG Series (exact model unknown, likely RG350 or similar, as used by Ershad Zaman in early-mid 2000s Artcell recordings)
AmpMarshall Valvestate or Marshall JCM900 (exact model unconfirmed, but Marshall solid-state/hybrid amps were common in Dhaka studios and live venues for Artcell in early 2000s)
PickupsIbanez stock HSH (Humbucker-Single-Humbucker), likely Ibanez Infinity or Powersound series
Amp Settings
gain7.5
bass6
mid6
treble7
reverb2.5
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
distortionUnknown Distortion pedal (model unknown, possibly Boss DS-1 or Marshall DriveMaster)
Notes
Studio recording, circa 2002-2005. No official rig rundown or session notes available for 'Kritrim Manush'. Gear inferred from era, genre, and known band equipment from interviews and live photos. Settings estimated based on typical Marshall high-gain metal tones and genre conventions.
Tone Character(10)
singing sustaintight and articulateclear pick attackliquid legato phrasingmoderate palm mutingcutting upper midsslight scoop in rhythm, mids present for leadsaudible delay repeatssmooth, saturated lead tonecontrolled feedback
Difficulty
The solo requires advanced technique, including fast picking, legato phrasing, and expressive bends, as well as precise timing to match delay repeats and maintain clarity at high gain.
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