Riff Tone
Let Praises Rise (feat. Anaysha Figueroa-Cooper)
Todd Galberth
Guitarother2010s+
Original Gear
GuitarUnknown solidbody electric (likely Fender Stratocaster or similar, based on genre/era/playing style)
AmpUnknown clean amp (likely Fender Twin Reverb or Roland JC-120, based on genre/era/production style)
PickupsSingle-coil pickups (typical for gospel/CCM rhythm work, but not confirmed for this specific recording)
Amp Settings
gain0
bass6
mid6
treble6.5
reverb5
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
No direct sources confirm the exact guitar or amp for the studio recording of 'Let Praises Rise (feat. Anaysha Figueroa-Cooper)'. All gear is estimated based on genre conventions and typical gospel/CCM studio setups in the 2010s. Studio recording, released 2016.
Tone Character(9)
bright and glassyclean and articulatesubtle compressionsmooth, slightly scooped midsambient reverb tailpercussive attackclear note separationwarm but present highsno audible drive or crunch
Difficulty
The riff requires tight rhythm playing and clean articulation typical of gospel/CCM, but does not involve advanced techniques or fast passages.
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Create Free AccountGuitarother2010s+
Original Gear
GuitarUnknown solidbody electric (likely Fender Stratocaster or similar, based on genre/era/playing style)
AmpUnknown clean amp (likely Fender Twin Reverb or Roland JC-120, based on genre/era/production style)
PickupsSingle-coil pickups (typical for gospel/CCM rhythm work, but not confirmed for this specific recording)
Amp Settings
gain0
bass6
mid6
treble6.5
reverb5
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
No direct sources confirm the exact guitar or amp for the studio recording of 'Let Praises Rise (feat. Anaysha Figueroa-Cooper)'. All gear is estimated based on genre conventions and typical gospel/CCM studio setups in the 2010s. Studio recording, released 2016.
Tone Character(9)
bright and glassyclean and articulatesubtle compressionsmooth, slightly scooped midsambient reverb tailpercussive attackclear note separationwarm but present highsno audible drive or crunch
Difficulty
The riff requires tight rhythm playing and clean articulation typical of gospel/CCM, but does not involve advanced techniques or fast passages.