Riff Tone
Life Eternal
Ghost
Guitarmetal2010s+
Original Gear
GuitarGibson RD Standard
AmpMarshall JCM800 (studio recording, 2017-2018 era)
PickupsGibson humbuckers (likely stock RD Standard pickups)
Amp Settings
gain7.5
bass6
mid6
treble7
reverb2
presence6.5
Effects & Signal Chain
noise_gateUnknown Noise Gate (model unknown)
Notes
Studio recording for 'Prequelle' album (2017-2018). No direct evidence of pedals or amp settings for this specific song/section in sources. Gear inferred from Ghost's known studio rig for this era and genre. No evidence of live rig or alternate guitars for this riff section.
Tone Character(10)
tight and percussivesaturated high-gainchunky low endarticulate note separationmodern metal claritycontrolled feedbackaggressive attackfocused midrange punchslightly scooped midsstudio-polished heaviness
Difficulty
The riff requires tight palm muting and precise rhythm playing to maintain clarity and punch at medium tempo, but does not involve advanced lead techniques or complex chord voicings.
Sources
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Create Free AccountGuitarmetal2010s+
Original Gear
GuitarGibson RD Standard
AmpMarshall JCM800 (studio recording, 2017-2018 era)
PickupsGibson humbuckers (likely stock RD Standard pickups)
Amp Settings
gain7.5
bass6
mid6
treble7
reverb2
presence6.5
Effects & Signal Chain
noise_gateUnknown Noise Gate (model unknown)
Notes
Studio recording for 'Prequelle' album (2017-2018). No direct evidence of pedals or amp settings for this specific song/section in sources. Gear inferred from Ghost's known studio rig for this era and genre. No evidence of live rig or alternate guitars for this riff section.
Tone Character(10)
tight and percussivesaturated high-gainchunky low endarticulate note separationmodern metal claritycontrolled feedbackaggressive attackfocused midrange punchslightly scooped midsstudio-polished heaviness
Difficulty
The riff requires tight palm muting and precise rhythm playing to maintain clarity and punch at medium tempo, but does not involve advanced lead techniques or complex chord voicings.
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