Solo Tone
Little Red Rooster
The Rolling Stones
Guitarblues1960s
Original Gear
GuitarFender Telecaster (likely 1963 model, as used by Brian Jones on studio recording)
AmpFender Twin Reverb (Blackface, 1960s)
PickupsSingle-coil (Fender Telecaster stock pickups, 1960s era)
Amp Settings
gain3.5
bass5
mid6.5
treble6.5
reverb4.5
presence5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1964; Brian Jones played the slide solo on the original studio version. No evidence of pedal use on the original studio recording. Amp reverb likely used. Open G tuning is not confirmed for the solo, but open E or standard tuning is possible based on era and slide technique.
Tone Character(10)
warm and singing slide sustainbright and articulate top endtouch-sensitive dynamicsclear note separationslightly gritty edge-of-breakupvintage single-coil claritynatural amp reverb ambienceexpressive slide vibratonot heavily compresseddynamic response to picking
Difficulty
The solo requires intermediate slide technique, with precise intonation, expressive vibrato, and dynamic control to capture the vocal-like phrasing and sustain of the original recording.
Sources
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Create Free AccountGuitarblues1960s
Original Gear
GuitarFender Telecaster (likely 1963 model, as used by Brian Jones on studio recording)
AmpFender Twin Reverb (Blackface, 1960s)
PickupsSingle-coil (Fender Telecaster stock pickups, 1960s era)
Amp Settings
gain3.5
bass5
mid6.5
treble6.5
reverb4.5
presence5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1964; Brian Jones played the slide solo on the original studio version. No evidence of pedal use on the original studio recording. Amp reverb likely used. Open G tuning is not confirmed for the solo, but open E or standard tuning is possible based on era and slide technique.
Tone Character(10)
warm and singing slide sustainbright and articulate top endtouch-sensitive dynamicsclear note separationslightly gritty edge-of-breakupvintage single-coil claritynatural amp reverb ambienceexpressive slide vibratonot heavily compresseddynamic response to picking
Difficulty
The solo requires intermediate slide technique, with precise intonation, expressive vibrato, and dynamic control to capture the vocal-like phrasing and sustain of the original recording.
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