Solo Tone
灰色軌跡 (Live)
Beyond
Guitarrock1990s
Original Gear
GuitarFender Stratocaster (likely Japanese or American Standard, as used by Paul Wong in Beyond's late 80s/early 90s live performances)
AmpMarshall JCM800 (most commonly used by Beyond for live shows in the early 1990s, especially for lead/solo sections)
PickupsSingle-coil (Fender stock single-coils typical for Stratocaster of this era)
Amp Settings
gain7
bass6
mid7
treble7
reverb3
presence6.5
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
overdriveUnknown Overdrive pedal (model unknown)
Notes
Live performance, early 1990s (circa 1991-1993). No direct source confirms the exact serial/model, but video and photo evidence from live shows of this era show Paul Wong using a Stratocaster into a Marshall stack for solos.
Tone Character(10)
singing sustainbright and articulatesmooth, melodic phrasingmoderate gain with claritydynamic pick attacktouch-sensitive responseslight compressionclear note separationexpressive bendsclassic rock lead tone
Difficulty
The solo requires intermediate technique with fast melodic lines, expressive bends, and precise timing to match the delay repeats, but does not involve advanced shred or sweep picking.
Sources
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Original Gear
GuitarFender Stratocaster (likely Japanese or American Standard, as used by Paul Wong in Beyond's late 80s/early 90s live performances)
AmpMarshall JCM800 (most commonly used by Beyond for live shows in the early 1990s, especially for lead/solo sections)
PickupsSingle-coil (Fender stock single-coils typical for Stratocaster of this era)
Amp Settings
gain7
bass6
mid7
treble7
reverb3
presence6.5
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
overdriveUnknown Overdrive pedal (model unknown)
Notes
Live performance, early 1990s (circa 1991-1993). No direct source confirms the exact serial/model, but video and photo evidence from live shows of this era show Paul Wong using a Stratocaster into a Marshall stack for solos.
Tone Character(10)
singing sustainbright and articulatesmooth, melodic phrasingmoderate gain with claritydynamic pick attacktouch-sensitive responseslight compressionclear note separationexpressive bendsclassic rock lead tone
Difficulty
The solo requires intermediate technique with fast melodic lines, expressive bends, and precise timing to match the delay repeats, but does not involve advanced shred or sweep picking.