Riff Tone
Long Day
Matchbox Twenty
Guitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1990s model, as used by Kyle Cook in early Matchbox Twenty era)
AmpMarshall JCM900 (most likely, based on era, genre, and typical studio gear for 1996 alt-rock)
PickupsHumbucker (stock Gibson, likely 490R/498T or similar)
Amp Settings
gain6
bass6
mid7
treble6.5
reverb2.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1996. No direct evidence for exact amp/guitar in sources, but Les Paul + Marshall is strongly supported by era, genre, and live photos/interviews. No evidence of alternate guitars or amps for the riff section.
Tone Character(10)
punchy and mid-forwardtight and articulateslight breakup with dynamic pick attackwarm, rounded low endclear upper midsopen, airy top endnot overly saturatedclassic alternative rock crunchpercussive rhythmpresent but not harsh treble
Difficulty
The riff requires solid timing, dynamic control, and clean chord changes, but does not involve advanced techniques or fast passages.
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1990s model, as used by Kyle Cook in early Matchbox Twenty era)
AmpMarshall JCM900 (most likely, based on era, genre, and typical studio gear for 1996 alt-rock)
PickupsHumbucker (stock Gibson, likely 490R/498T or similar)
Amp Settings
gain6
bass6
mid7
treble6.5
reverb2.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1996. No direct evidence for exact amp/guitar in sources, but Les Paul + Marshall is strongly supported by era, genre, and live photos/interviews. No evidence of alternate guitars or amps for the riff section.
Tone Character(10)
punchy and mid-forwardtight and articulateslight breakup with dynamic pick attackwarm, rounded low endclear upper midsopen, airy top endnot overly saturatedclassic alternative rock crunchpercussive rhythmpresent but not harsh treble
Difficulty
The riff requires solid timing, dynamic control, and clean chord changes, but does not involve advanced techniques or fast passages.