Solo Tone
Louie Louie
Motörhead
Guitarmetal1970s
Original Gear
GuitarRickenbacker 4001 Bass (Lemmy), likely Gibson Les Paul Standard or SG for guitar solo (Fast Eddie Clarke)
AmpMarshall Super Bass or Marshall JMP (guitar), Marshall Major (bass)
PickupsHumbucker pickups (likely stock Gibson humbuckers for solo guitar)
Amp Settings
gain7.5
bass6
mid7
treble7
reverb1.5
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1978-1979, from Motörhead's 'Overkill' era. No direct evidence for pedals or effects on the solo; Motörhead were known for a raw, amp-driven sound with minimal effects. Settings estimated based on era, genre, and typical Motörhead studio setup.
Tone Character(10)
aggressive British crunchraw and bitinghigh output, saturatedtight and percussive attackmid-heavy, cutting through the mixloud and in-your-faceminimal studio polishdistinct lack of effects processingclassic Marshall amp driveslightly scooped lows
Difficulty
The solo is fast and aggressive but uses straightforward pentatonic licks and basic rock phrasing. The main challenge is keeping clarity and energy at high gain and tempo.
Sources
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Create Free AccountGuitarmetal1970s
Original Gear
GuitarRickenbacker 4001 Bass (Lemmy), likely Gibson Les Paul Standard or SG for guitar solo (Fast Eddie Clarke)
AmpMarshall Super Bass or Marshall JMP (guitar), Marshall Major (bass)
PickupsHumbucker pickups (likely stock Gibson humbuckers for solo guitar)
Amp Settings
gain7.5
bass6
mid7
treble7
reverb1.5
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1978-1979, from Motörhead's 'Overkill' era. No direct evidence for pedals or effects on the solo; Motörhead were known for a raw, amp-driven sound with minimal effects. Settings estimated based on era, genre, and typical Motörhead studio setup.
Tone Character(10)
aggressive British crunchraw and bitinghigh output, saturatedtight and percussive attackmid-heavy, cutting through the mixloud and in-your-faceminimal studio polishdistinct lack of effects processingclassic Marshall amp driveslightly scooped lows
Difficulty
The solo is fast and aggressive but uses straightforward pentatonic licks and basic rock phrasing. The main challenge is keeping clarity and energy at high gain and tempo.
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