Solo Tone
Machinehead (Remastered)
Bush
Guitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1990s, as used by Gavin Rossdale on Sixteen Stone sessions)
AmpMesa/Boogie Dual Rectifier Trem-O-Verb Combo Amp
PickupsHumbuckers (stock Gibson, likely 490R/498T or similar for era)
Amp Settings
gain7
bass5.5
mid4.5
treble6
reverb2
presence6
Effects & Signal Chain
fuzzElectro-Harmonix Electro-Harmonix Sovtek 'Green Russian' Big Muff Pi V7C
Notes
Studio recording, 1994. Gear confirmed for Sixteen Stone (Remastered) album sessions. Solo section likely used bridge pickup for cutting tone. No evidence of alternate guitars or amps for solo. Pedal chain includes fuzz for solo boost. No explicit evidence of effects loop use in studio.
Tone Character(10)
saturated and sustainingfuzz-driven leadtight and focusedslightly scooped midsaggressive upper-mid bitearticulate pick attackcompressed sustaincutting presencemodern alternative rock edgewall-of-sound layering
Difficulty
The solo requires intermediate technique due to its tempo, use of bends and vibrato under heavy fuzz, and maintaining clarity with high-gain saturation.
Sources
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1990s, as used by Gavin Rossdale on Sixteen Stone sessions)
AmpMesa/Boogie Dual Rectifier Trem-O-Verb Combo Amp
PickupsHumbuckers (stock Gibson, likely 490R/498T or similar for era)
Amp Settings
gain7
bass5.5
mid4.5
treble6
reverb2
presence6
Effects & Signal Chain
fuzzElectro-Harmonix Electro-Harmonix Sovtek 'Green Russian' Big Muff Pi V7C
Notes
Studio recording, 1994. Gear confirmed for Sixteen Stone (Remastered) album sessions. Solo section likely used bridge pickup for cutting tone. No evidence of alternate guitars or amps for solo. Pedal chain includes fuzz for solo boost. No explicit evidence of effects loop use in studio.
Tone Character(10)
saturated and sustainingfuzz-driven leadtight and focusedslightly scooped midsaggressive upper-mid bitearticulate pick attackcompressed sustaincutting presencemodern alternative rock edgewall-of-sound layering
Difficulty
The solo requires intermediate technique due to its tempo, use of bends and vibrato under heavy fuzz, and maintaining clarity with high-gain saturation.
More Bush tones
- Glycerine (Remastered) · riff
- Machinehead (Remastered) · riff
- Swallowed (Remastered) · solo
- Swim (Remastered) · riff
- Alien (Remastered) · riff
- Comedown (Remastered) · distorted
- Comedown (Remastered) · solo
- Comedown (Remastered) · riff
- Eddie Vedder Local H · riff
- Glycerine (Remastered) · riff