Riff Tone
Maneater
Daryl Hall & John Oates
Guitarrock1980s
Original Gear
GuitarGibson ES-335 (likely 1970s/early 1980s, semi-hollow, used by John Oates on 'Maneater' in studio)
AmpFender Twin Reverb (blackface or silverface, used in studio sessions for 'Maneater')
PickupsGibson humbuckers (stock, vintage output)
Amp Settings
gain3
bass5.5
mid6
treble7
reverb3
presence5.5
Effects & Signal Chain
compressionUnknown Compressor pedal (model unknown)
Notes
Studio recording, 1982. No direct evidence of pedals on the original recording; most effects are likely from the amp or studio. Gear inferred from era, genre, and typical Hall & Oates studio setups. No live/touring pedalboard info is relevant for the original riff recording.
Tone Character(10)
clean but slightly grittytight and percussivebright and articulate highsfunk-inspired claritysemi-hollow warmthdynamic response to pickingminimal breakupstudio-polishedsnappy attackarticulate chord voicings
Difficulty
The riff requires precise timing, muting, and dynamic control to achieve the tight, funky feel, but does not involve advanced techniques or fast passages.
Sources
This tone has been researched 5 times by the community
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1980s
Original Gear
GuitarGibson ES-335 (likely 1970s/early 1980s, semi-hollow, used by John Oates on 'Maneater' in studio)
AmpFender Twin Reverb (blackface or silverface, used in studio sessions for 'Maneater')
PickupsGibson humbuckers (stock, vintage output)
Amp Settings
gain3
bass5.5
mid6
treble7
reverb3
presence5.5
Effects & Signal Chain
compressionUnknown Compressor pedal (model unknown)
This tone has been researched 5 times by the community
Notes
Studio recording, 1982. No direct evidence of pedals on the original recording; most effects are likely from the amp or studio. Gear inferred from era, genre, and typical Hall & Oates studio setups. No live/touring pedalboard info is relevant for the original riff recording.
Tone Character(10)
clean but slightly grittytight and percussivebright and articulate highsfunk-inspired claritysemi-hollow warmthdynamic response to pickingminimal breakupstudio-polishedsnappy attackarticulate chord voicings
Difficulty
The riff requires precise timing, muting, and dynamic control to achieve the tight, funky feel, but does not involve advanced techniques or fast passages.
More Daryl Hall & John Oates tones
- Maneater · riff
- I Can't Go for That (No Can Do) · riff
- Kiss on My List · solo
- Private Eyes · riff
- Private Eyes · solo
- Sara Smile · riff