Solo Tone
Manhattan
Eric Johnson
Guitarjazz1990s
Original Gear
GuitarFender Stratocaster (1954, vintage white, DiMarzio HS-2 bridge pickup)
AmpMarshall 50-watt or 100-watt head (likely JMP or JCM800 era) into Marshall 4x12 cabinet
PickupsDiMarzio DP116 HS-2 (bridge position, single coil mode)
Amp Settings
gain5
bass6
mid7
treble7
reverb3
presence6
Effects & Signal Chain
overdriveChandler Chandler Tube Driver
overdriveIbanez Ibanez TS9 Tube Screamer
chorusTC Electronic TC Electronic Stereo Chorus
delayUnknown Delay pedal (model unknown, likely tape echo or digital delay)
Notes
Studio recording, 1996 (Venus Isle album). Eric Johnson is known to use his vintage Strat with DiMarzio HS-2 in the bridge for lead/solo tones on this album. Amp is Marshall head into 4x12 cab, with pedals for drive and modulation. Effects are from pedals, not amp. No evidence of Dumble or Fender amps on this track's solo section.
Tone Character(10)
singing sustainsmooth and liquid lead tonewarm yet articulate highschorused shimmertouch-sensitive responseclear note separationslightly compressedsweet, expressive bendssubtle delay ambienceviolin-like phrasing
Difficulty
The solo requires expert-level control of hybrid picking, legato, and phrasing, with advanced harmonic and technical demands characteristic of Eric Johnson's style.
Sources
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Original Gear
GuitarFender Stratocaster (1954, vintage white, DiMarzio HS-2 bridge pickup)
AmpMarshall 50-watt or 100-watt head (likely JMP or JCM800 era) into Marshall 4x12 cabinet
PickupsDiMarzio DP116 HS-2 (bridge position, single coil mode)
Amp Settings
gain5
bass6
mid7
treble7
reverb3
presence6
Effects & Signal Chain
overdriveChandler Chandler Tube Driver
overdriveIbanez Ibanez TS9 Tube Screamer
chorusTC Electronic TC Electronic Stereo Chorus
delayUnknown Delay pedal (model unknown, likely tape echo or digital delay)
Notes
Studio recording, 1996 (Venus Isle album). Eric Johnson is known to use his vintage Strat with DiMarzio HS-2 in the bridge for lead/solo tones on this album. Amp is Marshall head into 4x12 cab, with pedals for drive and modulation. Effects are from pedals, not amp. No evidence of Dumble or Fender amps on this track's solo section.
Tone Character(10)
singing sustainsmooth and liquid lead tonewarm yet articulate highschorused shimmertouch-sensitive responseclear note separationslightly compressedsweet, expressive bendssubtle delay ambienceviolin-like phrasing
Difficulty
The solo requires expert-level control of hybrid picking, legato, and phrasing, with advanced harmonic and technical demands characteristic of Eric Johnson's style.
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