Riff Tone
Manic Depression
The Jimi Hendrix Experience
Guitarrock1960s
Original Gear
Guitar1965-66 Fender Stratocaster
AmpMarshall JTM45/100 Super Amp (stack, non-master volume, cranked)
PickupsFender single-coil pickups (stock 1960s Stratocaster)
Amp Settings
gain6.5
bass6.5
mid7.5
treble5
reverb0
presence6
Effects & Signal Chain
fuzzDallas-Arbiter Dallas-Arbiter Fuzz Face (Germanium, red)
Notes
Studio recording, 1967. Gear confirmed for 'Are You Experienced' album sessions. No evidence of live/touring substitutions for this recording.
Tone Character(10)
raw and fuzzy overdrivetouch-sensitive and dynamicmid-forward, singing sustainpercussive and articulate attackslightly compressedopen and responsiveclassic British crunchnot overly bright or harshorganic, amp-driven distortionvintage 60s rock texture
Difficulty
The riff requires advanced rhythmic precision, dynamic control, and mastery of Hendrix-style chord voicings and muting, making it challenging for most players.
Sources
This tone has been researched 2 times by the community
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Create Free AccountGuitarrock1960s
Original Gear
Guitar1965-66 Fender Stratocaster
AmpMarshall JTM45/100 Super Amp (stack, non-master volume, cranked)
PickupsFender single-coil pickups (stock 1960s Stratocaster)
Amp Settings
gain6.5
bass6.5
mid7.5
treble5
reverb0
presence6
Effects & Signal Chain
fuzzDallas-Arbiter Dallas-Arbiter Fuzz Face (Germanium, red)
This tone has been researched 2 times by the community
Notes
Studio recording, 1967. Gear confirmed for 'Are You Experienced' album sessions. No evidence of live/touring substitutions for this recording.
Tone Character(10)
raw and fuzzy overdrivetouch-sensitive and dynamicmid-forward, singing sustainpercussive and articulate attackslightly compressedopen and responsiveclassic British crunchnot overly bright or harshorganic, amp-driven distortionvintage 60s rock texture
Difficulty
The riff requires advanced rhythmic precision, dynamic control, and mastery of Hendrix-style chord voicings and muting, making it challenging for most players.
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